Cujo, a huge St Bernard, is bitten by a rabid bat and turns from a lovable pet into a ferocious man-eating monster. He slaughters his garage-owning master and, as madness eats at his brain, focuses his deranged attention on Donna Trenton and her five-year-old son, who are trapped in their car.
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Review:
Cujo is so well paced and scary that people tend to read it quickly, so they mostly remember the scene of the mother and son trapped in the hot Pinto and threatened by the rabid Cujo, forgetting the multifaceted story in which that scene is embedded. This is definitely a novel that rewards re-reading. When you read it again, you can pay more attention to the theme of country folk versus city folk; the parallel marriage conflicts of the Cambers versus the Trentons; the poignancy of the amiable St Bernard (yes, the breed choice is just right) infected by a brain-destroying virus that makes it into a monster; and the way the "daylight burial" of the failed ad campaign is reflected in the sunlit Pinto that becomes a coffin. And how significant it is that this horror tale is not supernatural: it's as real as junk food, a failing marriage, a broken-down car, or a fatal virus.
Review:
One of the few horror writers who can truly make the flesh creep (Sunday Express)
As a storyteller King is unbeatable (Mirror)
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