How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance
One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was―shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance.
Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film―and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors.
Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.
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Cheryl Finley is associate professor of art history at Cornell University. She is the coauthor of Harlem: A Century in Images and the coeditor of Diaspora, Memory, Place: David Hammons, Maria Magdalena Campos-Pons, Pamela Z.
"An original and brilliantly conceived account of how the horrors of the transatlantic trade in human cargo have been visualized in art and culture over more than two centuries. Finley has written a nuanced and provocative book that leaves an imprint on one's mind as indelible as the slave ship icon itself."--Kellie Jones, author of EyeMinded: Living and Writing Contemporary Art
"Stimulating and insightful. Finley hones in on the cultural and political strategies that have animated and illustrated the impact of the Atlantic slave trade."--Deborah Willis, author of Posing Beauty: African American Images from the 1890s to the Present
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Seller: Winged Monkey Books, Arlington, VA, U.S.A.
First Edition. Large hardcover, very good with light wear. Illustrated. Inscribed by the author in the year of publication. Seller Inventory # 031861
Seller: Riverow Bookshop, Owego, NY, U.S.A.
Hardcover w/DJ. Condition: Very Good/Very Good. Black & White/Color Illus. & Photos (illustrator). First Edition. Princeton, NJ: Princeton University Press. Very Good/Very Good. 2018. First Edition. Hardcover w/DJ. inscribed by author on title page (see photo) . Sm 4to., 306pp., dust jacket very minor shelf wear to edges and corners, otherwise very good; cover light shelf wear to edges and corners, otherwise very good; inscribed by author on title page (see photo), otherwise pages clean and unmarked. . Seller Inventory # BOOKS341369
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Blue dj with yellow text, white illustrations, blue boards with gilt text on spine. 306 pp. Bw and color illustrations. Warmly inscribed by author on title page. "One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was - shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of black resistance, identity, and remembrance. Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film-and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors. Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy" VG, some minor shelf wear to dj, all else excellent. Seller Inventory # 210715
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G069113684XI4N10
Seller: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 81N25_55_069113684X