A leading art historian’s plea for a more engaged reading of Italian Renaissance art
Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman’s concern is mostly with anterior relationships with the viewer―that is, relationships conceived and constructed as part of a work’s design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention.
Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.
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John Shearman (1931–2003) was the Charles Adams University Professor Emeritus at Harvard University and the author of many books, including Raphael in Early Modern Sources, 1483–1602; The Early Italian Pictures in the Collection of Her Majesty the Queen; and Mannerism.
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Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Condition: very good. Dust Jacket Condition: very good. Illustrated (color and b/w). 281 pages. 4to., brown cloth (damp-stained at bottom of spine and dust wrapper but internally clean). Washington, D.C.: The National Gallery of Art, (1992). Very good. The A.W. Mellon Lectures in the Fine Arts, 1988. Bollingen Series XXXV. Seller Inventory # 303536
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR007862505
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Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Brown cloth over boards; Color pictorial dj.; 281 pp.; 25 color plates, 201 bw figures. The 37th volume in the A.W. Mellon Lectures in the Fine Arts; From the jacket: ". . . the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning." VG- (Fine interior; Light wear to dj. extremities; fading to dj cover; previous owner's name written on first page; remainder mark on bottom). Seller Inventory # 118260
Seller: Harry Alter, Sylva, NC, U.S.A.
hardcover, Condition: Good, National Gallery of Art, Princeton University Press, c.1992, 1st., 7-3/4"x10-1/4", cloth, 281pp., illusts., ex-lib.- spine label, pocket, stamps, ow VG $. Seller Inventory # 78159
Seller: Springhead Books, Rochester, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively in time and space. xvii, 281 p., ill., xxv col. plates ; 26 cm. First edition, first impression. Brown cloth boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Seller Inventory # 017039
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Seller: Laureate Fine Books, Poultney, VT, U.S.A.
Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition, First Printing. A Near Fine Book in a Very Good or Better Dust Jacket, Unclipped (Unpriced). Book is lightly rubbed and sunned to extremities. Text block is bright and fresh excepting a few spots of dust soiling. Text is unmarked. Binding is tight and square. Dust Jacket is lightly bumped to extremities and somewhat toned from sunning. Hardcover. Octavo. [xviii], [3], 4-281pp. Publisher's Brown Cloth, Stamped Gilt Detailing. Seller Inventory # 1258
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.
Hardcover. Dust Jacket Condition: Good. The A.W. Mellon Lectures in the Fine Arts - 1988. xvii, 281 pp. The A.W. Mellon Lectures in the Fine Arts, 1977, at the National Gallery of Art in Washington, D.C. Bollingen Series. XXXV: 37. LCC: 9127246 Good condition; some yellow highlighting on page 4 and in Index. Seller Inventory # CH09140064
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
hardcover. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-0691099723
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Condition: New. Satisfaction Guaranteed or your money back. Seller Inventory # 0691099723
Seller: THOMAS RARE BOOKS, Yaxley, SUFFOLK, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Art and the spectator in the Italian Renaissance The A.W. Mellon Lectures in the fine arts 1988 Bollingen Series XXXV 37 Princeton. Seller Inventory # 00014
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