Was there a continuity between the "vigorous art and the seminal science" of the seventeenth century? How did they affect one another? Which, if either, was dominant? Four distinguished scholars explore the relation between seventeenth century science and the creative arts in a series of four essays: Introduction, by Stephen E. Toulmin of Columbia; Science and Literature, by Douglas Bush of Harvard; Science and Visual Art, by James S. Ackerman of Harvard; and Scientific Empiricism in Musical Thought, by Claude V. Palisca of Yale.
Originally published in 1961.
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Seller: The Oregon Room - Well described books!, Phoenix, OR, U.S.A.
Hardcover. Condition: Very Good. 1961 Princeton hardcover, 137 pages, Withdrawn from California Institute of Technology Humanities Library, no dustjacket if issued, # on spine is only external marking, few interior markings, very mild wear, clear unmarked text, a sound copy. Seller Inventory # a1630
Seller: Mythos Center Books, Frontenac, MN, U.S.A.
Hardcover. Condition: Used: Very Good. 1st ed. Vg Hc, few light pencis marks in margin, good DJ, chips and tear. Seller Inventory # UPLINE064740
Seller: Harmonium Books, Philadelphia, PA, U.S.A.
Hardcover. Condition: Like New. Unread hardback w/ jacket; crisp, clean, tight. Seller Inventory # 9M-M8XO-ONO1