Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergère, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's "Bar" serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions. The contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. Levine, and Griselda Pollock.
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Bradford R. Collins is Associate Professor of Art History at the University of South Carolina.
Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergere, each contributor applies to it a different methodology, ranging from traditional to more recent trends, including feminism, Marxism, Lacanian psychoanalysis, and semiotics.
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Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condition: Good. Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergere, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's "Bar" serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions. The contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. Levine, and Griselda Pollock. Seller Inventory # 00082995989
Seller: Bay State Book Company, North Smithfield, RI, U.S.A.
Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing. Seller Inventory # BSM.1EKXE
Seller: Wonder Book, Frederick, MD, U.S.A.
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paperback. Condition: Good. First Edition. Corners are bent. Used - Good. Seller Inventory # 1-n-5-1773
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Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0691036918I3N00
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condition: Good. Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergere, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's "Bar" serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions. The contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. Levine, and Griselda Pollock. Seller Inventory # CIN0691036918G
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Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_469526214
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP17499056
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Paperback. Condition: Very Good. 1st. xxi, 318 pages. illustrations (some colour); 24 cm. Tight, clean text. Previous owner's signature, otherwise unmarked. A good reading copy for the thrifty scholar. *** "Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergere, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's 'Bar' serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions. The contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. Levine, and Griselda Pollock." - Publisher. *** CONTENTS: Introduction: ascribing to Manet, declaring the author, by Richard Shiff; Counter, mirror, maid: some infra-thin notes on A bar at the Folies-Berge`re, by Carol Armstrong; Manet's A bar at the Folies-Bergere as an allegory of nostalgia, by Albert Boime; Art history in the mirror stage: interpreting A bar at the Folies-Bergere, by David Carrier; Le Chef d'Oeuvre (bien connu), by Kermit S. Champa; The dialectics of desire, the narcissism of authorship: a male interpretation of the psychological origins of Manet's Bar, by Bradford R. Collins; On Manet's binarism: virgin and/or whore at the Folies-Bergere, by Michael Paul Driskel; Looking into the abyss: the poetics of Manet's A bar at the Folies-Bergere, by Jack Flam; Dumbshows: a carefully staged indifference, by Tag Gronberg; Privilege and the illusion of the real, by James D. Herbert; In front of Manet's bar: subverting the "natural", by John House; Manet's man meets the gleam of her gaze: a psychoanalytic novel, by Steven Z. Levine; The "view from elsewhere": extracts from a semi-public correspondence about the visibility of desire, by Griselda Pollock. Size: 8vo. Seller Inventory # 220039