Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fêtes galantes, pastorals, tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution, Intimate Encounters enables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos.
Published in conjunction with a major traveling exhibition, Intimate Encounters contains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder).
"synopsis" may belong to another edition of this title.
The principal author of this volume, Richard Rand, is Curator of European Art at the Hood Museum of Art, Dartmouth College. He has published studies on Fragonard and Greuze in The Burlington Magazine, The J. Paul Getty Museum Journal, and Gazette des Beaux-Arts.
"About this title" may belong to another edition of this title.
Seller: Library House Internet Sales, Grand Rapids, OH, U.S.A.
Paperback. Condition: Good. No Jacket. Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fêtes galantes, pastorals,tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution,Intimate Encountersenables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition,Intimate Encounterscontains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder). Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Moderate edgewear on the boards. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book. Seller Inventory # 123778334
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Seller: Library House Internet Sales, Grand Rapids, OH, U.S.A.
Paperback. Condition: Good. No Jacket. Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fêtes galantes, pastorals,tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution,Intimate Encountersenables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition,Intimate Encounterscontains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder). Minimal highlighting. Solid binding. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book. Seller Inventory # 123544718
Seller: Library House Internet Sales, Grand Rapids, OH, U.S.A.
Hardcover. Condition: Good. No Jacket. Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fêtes galantes, pastorals,tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution,Intimate Encountersenables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition,Intimate Encounterscontains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder). Former library book. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library. Seller Inventory # 123544721
Seller: HPB-Emerald, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_464296421
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Soft cover. Condition: As New. 1st Edition. Clean, as new copy. BP /French History. Seller Inventory # ABE-1721609620018
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Paperback. Condition: Fine. 0.6 x 11.9 x 9 Inches; 220 pages. Seller Inventory # 199463