In commemoration of the Hemingway Centennial, the last unpublished work by the great American author contains a fictional account of his last African safari
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Ernest Hemingway's final posthumous work bears the rather awkward designation "a fictional memoir" and arrives under a cloud of controversial editing and patching--but all of that ends up being beside the point. Though this account of a 1953 safari in Kenya lacks the resolution and clarity of the best Hemingway (The Sun Also Rises, A Farewell to Arms) it is "real" Hemingway nonetheless. Let scholars work out where memoir leaves off and fiction begins: for the common reader, the prose alone casts an irresistible spell.
In True at First Light the glory days of the "great white hunters" are over and the Mau Mau rebellion is violently dislodging European farmers from Kenya's arable lands. But to the African gun bearers, drivers, and game scouts who run his safari in the shadow of Mount Kilimanjaro, Hemingway remains a lordly figure--almost a god. Two parallel quests propel the narrative: Mary, Hemingway's fourth and last wife, doggedly stalks an enormous black-maned lion that she is determined to kill by Christmas, while Hemingway becomes increasingly obsessed with Debba, a beautiful young African woman. What makes the novel especially strange and compelling is that Mary knows all about Debba and accepts her as a "supplementary wife," even as she loses no opportunity to rake her husband over the coals for his drinking, lack of discipline in camp, and condescending protectiveness.
As usual with Hemingway, atmosphere and attitude are far more important than plot. Mary at one point berates her husband as a "conscience-ridden murderer", but this is precisely the moral stance that gives the hunting scenes their tension and beauty. "I was happy that before he died he had lain on the high yellow rounded mound with his tail down", Hemingway writes of "Mary's lion", "and his great paws comfortable before him and looked off across his country to the blue forest and the high white snows of the big Mountain."
Passages like these--and there are many of them-- redeem the book's rambling structure and occasional lapses into self- indulgent posturing. Joan Didion dismissed True at First Light in The New Yorker as "words set down but not yet written", but this fails to acknowledge the power of these words. The value of True at First Light lies in its candour, its nakedness: it provides a rare opportunity to watch a master working his way toward art. --David Laskin
"Captures the beauty of the African landscape and the thrill of the hunt, in true Hemingway style" (Red)
"This is writing of a high order; sympathetic, luminous, hypnotic, humane" (Caledonia)
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Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00101278958
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00073252717
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Large Print. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 3393482-20
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Large Print. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 3393481-6
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0684864487I4N10
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0684864487I4N00
Seller: The Maryland Book Bank, Baltimore, MD, U.S.A.
paperback. Condition: Very Good. Large type / Large print. Used - Very Good. Seller Inventory # 6-Z-1-0318
Seller: Library House Internet Sales, Grand Rapids, OH, U.S.A.
Paperback. Condition: Fair. No Jacket. In commemoration of the Hemingway Centennial, the last unpublished work by the great American author contains a fictional account of his last African safari. Large print Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Significant damage due to wetness. Boards are moderate to severely edgeworn. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book. Seller Inventory # 123807262
Seller: Callaghan Books South, New Port Richey, FL, U.S.A.
Soft cover. Condition: Fine. (Large Type Edition) Very large softcover, beautiful color photo of Mt. Kiliminjaro on front wrapper, small photo of Ernest Hemingway at bottom back left. Story of the final safari, Kenya, 1953. 527 pages. Light crease at bottom front right. Near Very Fine. Seller Inventory # 18289
Seller: Callaghan Books South, New Port Richey, FL, U.S.A.
Soft cover. Condition: Fine. First Thus. Introduction by Patrick Hemingway. (1st paperback) Very large, thick softcover, color photo of African scene on front wrapper, wrappers colorfully designed, tiny b/w photo of Hemingway at bottom back left, 508 pages. Light scratch at bottom front left. Near Very Fine. Seller Inventory # 36463