Look for Me - Hardcover

Ravel, Edeet

Hardcover

ISBN 10: 067931296X ISBN 13: 9780679312963

Publisher: Random House Canada, 2004

Synopsis

In a love story framed by the vivid realities of the Israeli-Palestinian conflict, Edeet Ravel tenderly explores the complicated ways people connect when violence touches every aspect of their lives

Dana Hillman is a young Israeli woman whose humanity and passion for justice are obvious to all who meet her. On peace missions, she and other activists act as human shields in situations where the Israeli army tries to displace Palestinians. A gifted photographer, she documents the protests, and the faces of women and children caught in the seemingly endless struggle. To make a living, though, she churns out junky historical romances, well aware of the irony of her situation. Her own love story has turned into a heartbreaking mystery: why did her husband, Daniel, suddenly disappear and where has he been for the last eleven years?

Every year Dana publishes a full-page ad addressed to her lost husband that says, “I will never ever ever ever . . . stop waiting for you,” with that “ever” multiplied to fill the whole page. Dana’s hope and constancy fill the novel in the way that her “ever” fills up the page, as she holds fast to trust, love and a vision for the future that seems magical in this fractured place.

About this title

About the Author

Edeet Ravel was born on a Marxist kibbutz near the Lebanese border and lived there until she was seven, when her parents returned to their hometown, Montreal. Ravel studied English literature in Israel, and has also has an MA in creative writing and a PhD in Jewish studies. She divides her time between Canada and Israel, where she does intensive political peace work.

Excerpt. © Reprinted by permission. All rights reserved.

And take upon ’s the mystery of things
As if we were God’s spies
–King Lear

Eleven years ago my husband caught fire while on reserve duty. He was not a combat soldier; his job was folding laundry. There are women who wonder, when their husbands leave for the army, whether the good-bye kiss at the door is the last one, whether they’ll ever see their husbands again. I was luckier: what could possibly happen to someone who served his country by sorting shirts and towels? I didn’t have to live in limbo between one check-in phone call and the next. Or so I thought. But on the last day of reserve duty my husband caught fire, and before I had a chance to see him, he vanished.


Saturday

I woke up and didn’t know where I was. This happens to me frequently: I emerge in stages from a deep sleep and I can’t remember what time of day it is, or what life I’m living. Am I in my parents’ seven-room flat in the desert, waking to a breakfast of rolls and butter and nine percent cheese, or living with neighbors who are tiptoeing around my sofa bed so as not to disturb me, or in my army cot, facing a day of cleaning toilets because I’m in trouble with my sergeant again? Or have I woken in some altogether unknown place, where people wear black capes, say, and hop from place to place instead of walking?

This process of relocating myself never lasts more than a few seconds. I knew where I was: the bedroom of our U-shaped flat near the sea. It was Saturday morning, the beginning of September, and I had a demonstration to photograph in Mejwan. Odelia was coming at eight-thirty to collect me.

I sat up in bed. When my husband lived with me I’d wear one of his T-shirts to sleep, but after he vanished I started sleeping naked. I wanted to feel closer to him, wherever he was; if he came during the night I would be prepared. It was just a fantasy, of course. I knew Daniel would not appear suddenly at the stroke of midnight, the way some of the characters in my novels liked to do.

I slipped on my bathrobe and raised the blackout shutters. Bright sunlight flooded the room and settled on the dusty heart-shaped leaves of my climbing plants. “Leaves deserve to be noticed,” Daniel had said, cryptically at first, when he painted one of the bedroom walls black. He hung a mirror in the center, and arranged the plants so they framed the mirror and spread outward until they covered the entire wall, heart-shaped green against night-black, our own reflection peeping at us from the midst of a leafy jungle.

I put on the kettle and while I waited for the water to boil I wrote down a dream I’d had in a notebook I kept for that purpose. I’d decorated the notebook with a color printout of Raphael’s Madonna with the Fish, which seemed somehow appropriate. I began recording my dreams when I was fourteen and my mother died in a traffic accident. For several weeks she came to life each night as I slept, and in the morning I would try to recapture our nocturnal encounters so I could relive the experience, and also because I wanted to understand the dreams, which were often perplexing. In one she was riding on a seashell and she called out, “Don’t forget Lord Kitchener!” In another she told me to wash my hair in a kneeling position, never while standing.

This morning, just before waking, I dreamed that I was at the Munjed checkpoint, a checkpoint I’d photographed a few times. I was climbing the watchtower to get a better angle, and the border guards were telling me to watch out for electric wires. I wondered whether they were afraid they’d be blamed if I was electrocuted, or whether they really were worried about me. I tried to find a good angle for my photograph, but realized it was hopeless because there were seven thousand Palestinians below, lined up and waiting for their IDs, which had been confiscated. I called down to the guards, “How come you’ve detained so many today?” and they answered, “It’s the drugs we’ve taken, they multiply everything seven thousand times.” I tried to figure out how their hallucinations could affect my own vision, and the effort to introduce waking-life logic into the dream woke me.

* * * * *

I left the army to marry my husband. He was the lead singer of the band at my cousin’s wedding and I could not take my eyes off him: his dark brown hair and David Bowie eyes, that smile of his as he sang. It was an extravagant wedding at one of the most ritzy halls in the country – my aunt and uncle were wealthy, and their daughter was spoiled. The small, laid-back band was noticeably out of place in this gilded setting: three musicians perched on a little wooden platform, all wearing jeans, short-sleeved white shirts, and black vests. One of the musicians was a multitalented albino with shoulder-length white hair; he played drums, sax, and keyboard. The other was chubby, with raisin eyes and sweet dimples, and the confidence to shake and bounce about as he strummed his guitar.

There was dancing at the wedding, of course, but the band didn’t follow the standard wedding repertoire. No zesty religious chants, no inspirational nationalist classics, none of the traditional tunes that were considered a must at any celebration. Instead, Daniel sang contemporary songs about waking up in the middle of the night with a feeling of dread, or going to airports to watch planes taking off. He sang my favorite song at the time, “Seer, Go Flee.” When he came to those words I knew I had to have him. Seer, go flee. For there is no mercy in this city, and no place to hide. Seer, go flee.

I waited until the band began to fold up and then shyly approached him. I didn’t want to say anything in front of the other two musicians, but I knew that if I didn’t speak up they’d all be gone in a matter of minutes, leaving me alone in the empty auditorium.

Daniel looked at me. He seemed amused for some reason, maybe because of the contrast between my uniform and the confused, unsoldierly way I was standing next to the platform. “Can I help you with something?” he asked.

“I was wondering . . .”

But now all three performers were looking at me.

“It’s private,” I said.

“Oh, private.” Daniel smiled. He stepped down from the platform and walked away from the others. “Well?” he said.

“Well . . . I’m due back at the base, but . . . if you take me home I’ll go AWOL. If you’re free, that is,” I added. It had just occurred to me, with a mortifying shock, that he probably had a girlfriend waiting for him at home. I pictured their flat: candles, incense, Klimt posters. There, amidst the poetry books and leftover hashish crumbs, on a velvet blanket spread over a mattress on the floor, they would have a long and glorious night together.

He burst into laughter.

“I don’t think I’ve ever received such a compliment in my life,” he said. “AWOL . . . no, I can’t be responsible. You’ll be in deep water.”

“You don’t have plans?”

“I was planning to go home and sleep. And you should get back to your base, or you’ll have hell to pay.”

“Oh, who cares, they hate me anyhow. I can’t clean any more toilets, I’ve done them all twenty times this week.”

“What’s your name?”

“Dana. The bride is my cousin. I guess she’s not a bride anymore. I guess she’s a wife now.”

“Dana. Well, Dana, what are we going to do? Encourage you to be derelict, or urge you to do your duty?”

“You don’t have other plans?” I asked again. After my despairing vision of the flat and the girlfriend (black hair, sensuous mouth, aloof but generous), his availability seemed too good to be true.

“Not at the moment.”

“Don’t pay any attention to my uniform. I only wore it because I don’t have a dress.”

“I guess I’m too weak to resist.”

“I’ll wait until you finish packing up.”

“That’s okay, Gabriel and Alex will look after everything. Let’s go, my car’s just down the block.” He waved to his two friends.

Edition details

• Publisher: Random House Canada
• Publication date: 2004
• Language: English
• ISBN 10: 067931296X
• ISBN 13: 9780679312963
• Binding: Hardcover
• Number of pages: 320