A New York Times Notable Book of the Year
Finalist for the National Book Critics Circle Award
Winner of the QSpell A.M. Klein Poetry Prize
Award-winning poet Anne Carson joins the Vintage Canada list with this stunning work, both novel and poem, both unconventional re-creation of an ancient Greek myth and wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon embarks on a journey that unleashes his creative imagination to its fullest extent.
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Anne Carson is a Professor of Classics as well as an innovative and well-regarded poet: Autobiography of Red draws on both in a highly original "novel in verse". But this is by no means a straightforward narrative poem--rather it is a formally inventive and diverse investigation into the nature of story, its inheritance from the past and its transformations of inherited materials. The foreword gives a brief account of the work of the Greek poet Stesichorus, of whose twenty-six books only a few fragments have survived. Stesichorus was a poetic innovator--he disrupted the stable descriptive traditions of oral Homeric poetry and, perhaps equally importantly, reinterpreted epic themes through the medium of lyric verse. It is this which gives the clue to Anne Carson's own reinventions, for concepts of the fragment, innovative language and formal revisioning are key elements of this long and ambitious book.
Among the Stesichorus fragments are parts of a poem known as the "Geryoneis" which deals with the slaying of the winged red monster Geryon by Herakles (Hercules). What is interesting is the fact that many of these fragments deal with the monster's own experiences: instead of the epic struggle, the fable of "culture versus mostrosity", we see Geryon, for example, as a child playing with his dog. Carson extends this frozen moment of youth: as well as translating passages from Stesichorus, she expands, reworks and invents a whole childhood for Geryon, relocating him into a more contemporaneous milieu with him and Herakles as young, strangely antagonistic lovers. The idea of the fragment is taken up in the pastime of the child-monster Geryon--photography, the art of snatching fragments from the real, the lived, the experienced-- and in the language given to Geryon, for Carson fuses the beast with the classical poet so that the fresh descriptive energies of the latter are grafted onto the naive eye of the creature outside of culture.
What Carson achieves is admirable: the book is an exploration of youth and a philosophical project while at the same time formally varied and challenging. In exploring ways of inheriting and responding to a literary past, it also invites us to be more generous with our freedoms and to be creatively ambitious--we should see naively and make the world anew, like Stesichorus, and like Carson's Geryon. --Burhan Tufail
"This book is amazing--I haven't discovered any writing in years so marvelously disturbing." --Alice Munro
"A profound love story...sensuous and funny, poignant, musical and tender." --The New York Times Book Review "A deeply odd and immensely engaging book.... [Carson] exposes with passionate force the mythic underlying the explosive everyday." --The Village Voice"About this title" may belong to another edition of this title.
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