We go with him across the centuries to The Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Istanbul, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great Vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood.
As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire and devil worship to 19th-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.
"synopsis" may belong to another edition of this title.
In The Vampire Armand, Anne Rice returns to her indomitable Vampire Chronicles and recaptures the gothic horror and delight she first explored in her classic tale Interview with the Vampire . The story begins in the aftermath of Memnoch the Devil. Vampires from all over the globe have gathered around Lestat, who lies prostrate on the floor of a cathedral. Dead? In a coma? As Armand reflects on Lestat's condition, he is drawn by David Talbot to tell the story of his own life. The narrative abruptly rushes back to 15th-century Constantinople, and the Armand of the present recounts the fragmented memories of his childhood abduction from Kiev. Eventually, he is sold to a Venetian artist (and vampire), Marius. Rice revels in descriptions of the sensual relationship between the young and still-mortal Armand and his vampiric mentor. But when Armand is finally transformed, the tone of the book dramatically shifts. Raw and sexually explicit scenes are displaced by Armand's introspective quest for a union of his Russian Orthodox childhood, his hedonistic life with Marius, and his newly acquired immortality. These final chapters remind one of the archetypal significance of Rice's vampires; at their best, Armand, Lestat, and Marius offer keen insights into the most human of concerns.
The Vampire Armand is richly intertextual; readers will relish the retelling of critical events from Lestat and Louis's narratives. Nevertheless, the novel is very much Armand's own tragic tale. Rice deftly integrates the necessary back-story for new readers to enter her epic series, and the introduction of a few new voices adds a fresh perspective--and the promise of provocative future installments. --Patrick O'Kelley
"VIVID, EVOCATIVE."
--USA Today
"ARMAND'S LIFE UNFOLDS IN RICH, VELVETY PROSE. . . . THIS IS A SUMPTUOUS ADDITION TO THE SERIES."
--Library Journal
"ANNE RICE FANS WILL NO DOUBT BE THRILLED. . . . [Armand] until now has played a small role in the Vampire Chronicles. Here he assumes center stage, relating his five hundred years of life to fledgling vampire David Talbot, who plays amanuensis to Armand as he did to Lestat. . . . It's not just the epic plot but Rice's voluptuary worldview that's the main attraction. . . . Elegant narrative has always been her hallmark. . . . Rice is equally effective in showing how Armand eventually loses his religion and becomes 'the vagabond angel child of Satan, ' living under the Paris cemeteries and founding the Grand Guignol-ish Theatre des Vampires. In the twentieth century, a rehabilitated Armand regains his faith but falls in love with two children who save his life. By the conclusion of Armand, the pupil has become the mentor."
--The Washington Post
"A FASCINATING AND DAZZLING HISTORICAL TAPESTRY . . . BEAUTIFULLY WRITTEN, INCREDIBLY ABSORBING."
--Booklist
"VIVID, EVOCATIVE."
--USA Today
"ARMAND'S LIFE UNFOLDS IN RICH, VELVETY PROSE. . . . THIS IS A SUMPTUOUS ADDITION TO THE SERIES."
--Library Journal
"ANNE RICE FANS WILL NO DOUBT BE THRILLED. . . . [Armand] until now has played a small role in the Vampire Chronicles. Here he assumes center stage, relating his five hundred years of life to fledgling vampire David Talbot, who plays amanuensis to Armand as he did to Lestat. . . . It's not just the epic plot but Rice's voluptuary worldview that's the main attraction. . . . Elegant narrative has always been her hallmark. . . . Rice is equally effective in showing how Armand eventually loses his religion and becomes 'the vagabond angel child of Satan, ' living under the Paris cemeteries and founding the Grand Guignol-ish Theatre des Vampires. In the twentieth century, a rehabilitated Armand regains his faith but falls in love with two children who save his life. By the conclusion of Armand, the pupil has become the mentor."
--The Washington Post
"A FASCINATING AND DAZZLING HISTORICAL TAPESTRY . . . BEAUTIFULLY WRITTEN, INCREDIBLY ABSORBING."
--Booklist"
"VIVID, EVOCATIVE."
--USA Today
"ARMAND'S LIFE UNFOLDS IN RICH, VELVETY PROSE. . . . THIS IS A SUMPTUOUS ADDITION TO THE SERIES."
--Library Journal
"ANNE RICE FANS WILL NO DOUBT BE THRILLED. . . . [Armand] until now has played a small role in the Vampire Chronicles. Here he assumes center stage, relating his five hundred years of life to fledgling vampire David Talbot, who plays amanuensis to Armand as he did to Lestat. . . . It's not just the epic plot but Rice's voluptuary worldview that's the main attraction. . . . Elegant narrative has always been her hallmark. . . . Rice is equally effective in showing how Armand eventually loses his religion and becomes 'the vagabond angel child of Satan, ' living under the Paris cemeteries and founding the Grand Guignol-ish Theatre des Vampires. In the twentieth century, a rehabilitated Armand regains his faith but falls in love with two children who save his life. By the conclusion of Armand, the pupil has become the mentor."
--The Washington Post
"A FASCINATING AND DAZZLING HISTORICAL TAPESTRY . . . BEAUTIFULLY WRITTEN, INCREDIBLY ABSORBING."
--Booklist
-VIVID, EVOCATIVE.-
--USA Today
-ARMAND'S LIFE UNFOLDS IN RICH, VELVETY PROSE. . . . THIS IS A SUMPTUOUS ADDITION TO THE SERIES.-
--Library Journal
-ANNE RICE FANS WILL NO DOUBT BE THRILLED. . . . [Armand] until now has played a small role in the Vampire Chronicles. Here he assumes center stage, relating his five hundred years of life to fledgling vampire David Talbot, who plays amanuensis to Armand as he did to Lestat. . . . It's not just the epic plot but Rice's voluptuary worldview that's the main attraction. . . . Elegant narrative has always been her hallmark. . . . Rice is equally effective in showing how Armand eventually loses his religion and becomes 'the vagabond angel child of Satan, ' living under the Paris cemeteries and founding the Grand Guignol-ish Theatre des Vampires. In the twentieth century, a rehabilitated Armand regains his faith but falls in love with two children who save his life. By the conclusion of Armand, the pupil has become the mentor.-
--The Washington Post
-A FASCINATING AND DAZZLING HISTORICAL TAPESTRY . . . BEAUTIFULLY WRITTEN, INCREDIBLY ABSORBING.-
--Booklist
"VIVID, EVOCATIVE."
--USA Today
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