How did the Greeks translate tales into images? Why do artistic depictions of ancient myths sometimes “contradict” the textual versions that we think of as canonical? What caused the Romans to be anxious about decorated ceilings? Can numismatic images solve problems in Augustan politics or explain the provenance of the Warren Cup? How are the curators of ancient artifacts to supply the high-quality digital images that scholars need in order to answer these questions? And how are text-based scholars to make productive use of them? Images have their own semantic language, and their survival, usually divorced from their original context, makes it hard to interpret them with nuance and sophistication. Images for Classicists starts from the premise that the visual and textual records from antiquity are indispensable complements to one another and demonstrates some of the ways in which text and image, taken together, can complicate and enrich our understanding of ancient culture. While attempting to dissolve the distinctions between text- and artifact-based scholars, it also tries to bridge the gap between academy and museum by exploring the challenges that the digital revolution poses to curators and sketching some of the ways in which image-based collections may be deployed in the future.
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Kathleen M. Coleman is James Loeb Professor of the Classics at Harvard University.
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Seller: Scissortail, Oklahoma City, OK, U.S.A.
Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading! Seller Inventory # STM.5CI
Seller: Scissortail, Oklahoma City, OK, U.S.A.
Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading! Seller Inventory # STM.5HB
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 20282442
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. How did the Greeks translate tales into images? Why do artistic depictions of ancient myths sometimes "contradict" the textual versions that we think of as canonical? What caused the Romans to be anxious about decorated ceilings? Can numismatic images solve problems in Augustan politics or explain the provenance of the Warren Cup? How are the curators of ancient artifacts to supply the high-quality digital images that scholars need in order to answer these questions? And how are text-based scholars to make productive use of them? Images have their own semantic language, and their survival, usually divorced from their original context, makes it hard to interpret them with nuance and sophistication. Images for Classicists starts from the premise that the visual and textual records from antiquity are indispensable complements to one another and demonstrates some of the ways in which text and image, taken together, can complicate and enrich our understanding of ancient culture. While attempting to dissolve the distinctions between text- and artifact-based scholars, it also tries to bridge the gap between academy and museum by exploring the challenges that the digital revolution poses to curators and sketching some of the ways in which image-based collections may be deployed in the future. Seller Inventory # LU-9780674428362
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Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. How did the Greeks translate tales into images? Why do artistic depictions of ancient myths sometimes "contradict" the textual versions that we think of as canonical? What caused the Romans to be anxious about decorated ceilings? Can numismatic images solve problems in Augustan politics or explain the provenance of the Warren Cup? How are the curators of ancient artifacts to supply the high-quality digital images that scholars need in order to answer these questions? And how are text-based scholars to make productive use of them? Images have their own semantic language, and their survival, usually divorced from their original context, makes it hard to interpret them with nuance and sophistication. Images for Classicists starts from the premise that the visual and textual records from antiquity are indispensable complements to one another and demonstrates some of the ways in which text and image, taken together, can complicate and enrich our understanding of ancient culture. While attempting to dissolve the distinctions between text- and artifact-based scholars, it also tries to bridge the gap between academy and museum by exploring the challenges that the digital revolution poses to curators and sketching some of the ways in which image-based collections may be deployed in the future. Images for Classicists shows how text and image taken together complicate and enrich our understanding of ancient culture. Working to dissolve distinctions between text- and artifact-based scholarship, it explores challenges the digital revolution poses to curators and sketches ways that image-based collections may be deployed in the future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780674428362
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WL-9780674428362
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WL-9780674428362
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
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Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 184 2 Illus. (Col.), 3 Maps. Seller Inventory # 96192707
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