By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become white? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans.
Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the colour line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of authenticity have blinded us to rock's inextricably interracial artistic enterprise.
According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
"synopsis" may belong to another edition of this title.
Jack Hamilton is Assistant Professor of American Studies and Media Studies at the University of Virginia.
"About this title" may belong to another edition of this title.
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Hardback. Condition: Good. When Jimi Hendrix died, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet ten years earlier, Chuck Berry had stood among the most influential rock and roll performers. Why did rock and roll become white? Jack Hamilton challenges the racial categories that distort standard histories of rock music and the 60s revolution. Seller Inventory # 00102878840
Seller: Better World Books, Mishawaka, IN, U.S.A.
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Seller: Better World Books, Mishawaka, IN, U.S.A.
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Seller: Goodwill Southern California, Los Angeles, CA, U.S.A.
Condition: good. Hardcover Book. Includes dustjacket. Seller Inventory # LACV.0674416597.G
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Hardback. Condition: Good. When Jimi Hendrix died, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet ten years earlier, Chuck Berry had stood among the most influential rock and roll performers. Why did rock and roll become white? Jack Hamilton challenges the racial categories that distort standard histories of rock music and the 60s revolution. Seller Inventory # CIN0674416597G
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Clean and sound. Seller Inventory # 600around
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Seller: Gene The Book Peddler, Winchester, NH, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Printing. book is tight with no markings, front paste down has gift inscription to previous owner, great copy. Seller Inventory # 028376