Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons "is the most comprehensive collection available of Kentridge s thoughts on art, art-making, and the studio. Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of drawing lessons. Incorporating elements of graphic design and ranging freely from discussions of Plato s cave to the Enlightenment s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons "is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge"makes us more aware of the mechanisms and deceptions through which we construct meaning in the world."
"synopsis" may belong to another edition of this title.
William Kentridge is an animator, illustrator, printmaker, sculptor, and theater director based in Johannesburg, South Africa. A member of the American Philosophical Society, Kentridge’s diverse works have been exhibited at museums worldwide, including the Museum of Modern Art, the Tate Modern, and Kunstmuseum Basel. As a director, he has staged productions of Shostakovich’s The Nose and Berg’s Lulu at the Metropolitan Opera and Mozart’s The Magic Flute at the Brooklyn Academy of Music and Le Théâtre Royal de la Monnaie in Brussels.
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Seller: Bulrushed Books, Moscow, ID, U.S.A.
Condition: Like New. LIGHTNING FAST SHIPPING! Like New Hardcover. Very minor cover scuffing. Ships Fast! Seller Inventory # #242D-0089
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge's thoughts on art, art-making, and the studio.Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of "drawing lessons."Incorporating elements of graphic design and ranging freely from discussions of Plato's cave to the Enlightenment's role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms-and deceptions-through which we construct meaning in the world. Art, William Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and cannot be purely understood in the rational terms of academic disciplines. The studio is where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780674365803
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WH-9780674365803
Seller: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
8vo, 187pp. Colour and black & white illustrations. A near fine hardback copy in acetate dust jacket. Review sticker to ffep. Seller Inventory # 131478
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Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WH-9780674365803
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. "A beautiful and necessary book.as brisk as it is insightful."-Choice South Africa's most celebrated artist on art, colonialism, and studio practice.Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge's thoughts on art, art-making, and the studio.Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of "drawing lessons."Incorporating elements of graphic design and ranging freely from discussions of Plato's cave to the Enlightenment's role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms-and deceptions-through which we construct meaning in the world. Seller Inventory # LU-9780674365803
Quantity: 17 available
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Seller Inventory # 3a5d39bea2c73dd49b934f14c002d87d
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Seller: art longwood books, Gloucester, MA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine Plus. First Edition /First Printing. cloth/natural linen, hardcover in clear printed acetate dust jacket, as issued., harvard university press promotional sheet laid-in., dj has a little of that rubbing common to such material, though it is of negligible impact. clean. no markings. no bumps, tears, creases. tight binding. ; english text.; 208pp., illustrated in color, b/w. the artist's lectures on art and art making. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # 24545
Seller: Chapter 1, Johannesburg, GAU, South Africa
hardcover. Condition: Good. Dust Jacket Condition: Very Good. 2nd. hardcover with the original transparent plastic jacket. gift inscription. the book is a bit damp marked and wavy. included is 3 different cards depicting some of Kentridge's works. all pages are intact and legible. may require extra postage. [SK]. Our orders are shipped using tracked courier delivery services. Seller Inventory # b96be
Quantity: 1 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 21177320-n