“Brilliant…this book should encourage more literary critics to pick up their Bibles.”―Howard Eiland, Partisan Review
The celebrated critic deciphers the cryptic passages and concealed meanings in literature sacred and profane.
In a passage from the Gospel of Mark that has spawned more exegetical disputes than perhaps any other, the disciples question Jesus about why he so often speaks in parables. “To you has been given the secret of the kingdom of God,” he replies, “but for those outside everything is in parables; so that they may indeed see but not perceive, and may indeed hear but not understand.” The ostensible meaning of this passage seems shockingly unchristian: the true sense of Jesus’s stories―their secret―is reserved for the elect, for the insiders. Outsiders be damned.
In The Genesis of Secrecy, the prolific Frank Kermode draws upon this and other enigmatic passages in the Gospels to interrogate the fraught relationship between proclaimed meaning and concealed mystery, both in the New Testament and in modern secular literature. A resolute outsider to the rules and canons of Biblical exegesis, he asks how it is that textual dislocations or contradictory narrative elements are imbued with the grandeur of secret meaning. Departing from the Bible, he also asks what the art of interpretation looks like in a secular world, when the lines separating heresy from orthodoxy have become increasingly blurred.
Moving effortlessly between Scripture, philosophical hermeneutics, narrative theory, and twentieth-century literature from Joyce to Pynchon, Kermode concludes, pessimistically, that esoteric truths of the text are glimpsed but never finally revealed. Divination begets further divination. Secrecy remains “the source of the interpreter’s pleasures, but also of his necessary disappointment.”
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Frank Kermode (1919–2010) was a British literary critic and the author or editor of more than fifty books, including The Sense of an Ending, a defining work of fiction theory. A regular contributor to London Review of Books and the New York Review of Books, Kermode was knighted in 1991. He was King Edward VII Professor of English Literature at University of Cambridge.
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Paperback. viii-xii, 2-163p., later printing. wraps, cover wrap worn and bumped, else in good condition. "Frank Kermode has long held a distinctive place among modern critics. He brings to the study of literature a fine and fresh critical intelligence that is always richly suggestive, never modish. He offers here an inquiry?elegant in conception and style?into the art of interpretation. His subject quite simply is meanings; how they are revealed and how they are concealed. "Drawing on the venerable tradition of biblical interpretation, Mr. Kermode examines some enigmatic passages and episodes in the gospels. From his reading come ideas about what makes interpretation possible?and often impossible. He considers ways in which narratives acquire opacity, and he asks whether there are methods of distinguishing all possible meaning from a central meaning which gives the story its structure. He raises questions concerning the interpretation of single texts in relation to their context in a writer?s work and a tradition; considers the special interpretative problems of historical narration; and tries to relate the activities of the interpreter to interpretation more broadly conceived as a means of living in the world. While discussing the gospels, Mr. Kermode touches upon such literary works as Kafka?s parables, Joyce?s Ulysses, Henry James?s novels, and Pynchon?s Crying of Lot 49. By showing the relationships between religious interpretation and literary criticism, he has enhanced both fields.". Seller Inventory # 263786
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