Though his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813-1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner's obsession with sexuality prefigured the composition of operas such as "Tannhauser", "Die Walkure", "Tristan und Isolde", and "Parsifal". Daring to represent erotic stimulation, passionate ecstasy, and the torment of sexual desire, Wagner sparked intense reactions from figures like Baudelaire, Clara Schumann, Nietzsche, and Nordau, whose verbal tributes and censures disclose what was transmitted when music represented sex. Wagner himself saw the cultivation of an erotic high style as central to his art, especially after devising an anti-philosophical response to Schopenhauer's "metaphysics of sexual love". A reluctant eroticist, Wagner masked his personal compulsion to cross-dress in pink satin and drench himself in rose perfumes while simultaneously incorporating his silk fetish and love of floral scents into his librettos. His affection for dominant females and surprising regard for homosexual love likewise enable some striking portraits in his operas. In the end, Wagner's achievement was to have fashioned an oeuvre which explored his sexual yearnings as much as it conveyed - as never before - how music could act on erotic impulse.
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Laurence Dreyfus is Professor of Music at University of Oxford and a Fellow of Magdalen College.
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Condition: New. Richard Wagner (1813-1883) was better known in the nineteenth century for his provocative musical eroticism. This title studies the composer and his works, showing how Wagner's obsession with sexuality prefigured the composition of operas such as "Tannhauser", "Die Walkure", "Tristan und Isolde", and "Parsifal". Num Pages: 288 pages, 1 line illustration, 11 music examples. BIC Classification: AVGC9; AVH. Category: (G) General (US: Trade). Dimension: 226 x 145 x 17. Weight in Grams: 392. . 2012. Gld. Paperback. . . . . Seller Inventory # V9780674064294
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Condition: New. Richard Wagner (1813-1883) was better known in the nineteenth century for his provocative musical eroticism. This title studies the composer and his works, showing how Wagner's obsession with sexuality prefigured the composition of operas such as "Tannhauser", "Die Walkure", "Tristan und Isolde", and "Parsifal". Num Pages: 288 pages, 1 line illustration, 11 music examples. BIC Classification: AVGC9; AVH. Category: (G) General (US: Trade). Dimension: 226 x 145 x 17. Weight in Grams: 392. . 2012. Gld. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780674064294
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Paperback. Condition: new. Paperback. Though his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (18131883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner's obsession with sexuality prefigured the composition of operas such as Tannhaeuser, Die Walkuere, Tristan und Isolde, and Parsifal. Daring to represent erotic stimulation, passionate ecstasy, and the torment of sexual desire, Wagner sparked intense reactions from figures like Baudelaire, Clara Schumann, Nietzsche, and Nordau, whose verbal tributes and censures disclose what was transmitted when music represented sex.Wagner himself saw the cultivation of an erotic high style as central to his art, especially after devising an anti-philosophical response to Schopenhauer's "metaphysics of sexual love." A reluctant eroticist, Wagner masked his personal compulsion to cross-dress in pink satin and drench himself in rose perfumes while simultaneously incorporating his silk fetish and love of floral scents into his librettos. His affection for dominant females and surprising regard for homosexual love likewise enable some striking portraits in his operas. In the end, Wagner's achievement was to have fashioned an oeuvre which explored his sexual yearnings as much as it conveyed-as never before-how music could act on erotic impulse. Richard Wagner (1813-1883) was better known in the nineteenth century for his provocative musical eroticism. This title studies the composer and his works, showing how Wagner's obsession with sexuality prefigured the composition of operas such as "Tannhauser", "Die Walkure", "Tristan und Isolde", and "Parsifal". This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780674064294
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