Examines the power struggle which exists between men and women and the way in which it is reflected in the literary works of D. H. Lawrence, Henry Miller, Norman Mailer, and Jean Genet
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Millett's classic woke me up, changed my perception of women and myself, as it did for tens of thousands of American women when it first appeared.--Leslie Crawford, "Kate Millett, the Ambivalent Feminist," "Salon"
"Sexual Politics" dissected the beliefs, the cultural language, that supported sexual hierarchy. Millett's arguments cut through contemporary culture almost as surely as they did when written. In fact, it seems looking back to this old radicalism would help today's feminists to move forward.--Katie Ryder, "Why Kate Millett Still Matters," "Bookforum"
Millett's classic woke me up, changed my perception of women and myself, as it did for tens of thousands of American women when it first appeared.
--Leslie Crawford, "Kate Millett, the Ambivalent Feminist," SalonSexual Politics dissected the beliefs, the cultural language, that supported sexual hierarchy. Millett's arguments cut through contemporary culture almost as surely as they did when written. In fact, it seems looking back to this old radicalism would help today's feminists to move forward.
--Katie Ryder, "Why Kate Millett Still Matters," BookforumKate Millett is an American feminist writer, artist, and activist. Her most recent books are Mother Millett, A.D.: A Memoir, and The Politics of Cruelty: An Essay on the Literature of Political Imprisonment. She is director of the Millett Center for the Arts and lives in New York City and upstate New York. Catharine A. MacKinnon is the Elizabeth A. Long Professor of Law at Michigan Law School and the long-term James Barr Ames Visiting Professor of Law at Harvard Law School. Rebecca Mead is a staff writer for The New Yorker and the author of My Life in Middlemarch and One Perfect Day: The Selling of the American Wedding.
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