This study proposes and tests theories involving first the origin and development of the novel, and second what the author has defined as a signifying practice in "poetic language" and pictorial works. She rejects the postulates of Freudian ego psychology, and argues the existence in language of a split subject divided between unconscious and conscious motivations; that is, between physiological processes and social constraints.
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"Kristeva's depiction of contrariety and anomaly at the heart of postmodernist theory is ingenious, provocative, and challenging." -- "Contemporary Literature"
"Kristeva changes the place of things: she always destroys the "latest preconception," the one we thought we could be comforted by, the one of which we could be proud; what she displaces is the illusion that it has all been said already, that is, she removes the pressure of the signified----in a word, stupidity; what she subverts is authority----that of monological science, of filiation." -- Roland Barthes
Julia Kristeva, internationally known psychoanalyst and critic, is Professor of Linguistics at the University de Paris VII. She has hosted a French television series and is the author of many critically acclaimed books published by Columbia University Press in translation, including Time and Sense: Proust and the Experience of Literature and the novel, Possessions.
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Seller: Anybook.com, Lincoln, United Kingdom
Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0631130454. Seller Inventory # 9758336
Quantity: 1 available
Seller: Caramell, L'assomption, QC, Canada
Foundational collection of Kristeva's essays on semiotics, psychoanalysis, feminism, and literary theory, translated by Léon Roudiez. A key academic text bridging structuralism and post-structuralism, frequently cited in cultural studies, art theory, and feminist criticism. Early Blackwell printing. Seller Inventory # ABE-1763423153636
Seller: Hugh Hardinge Books, Cambridge, United Kingdom
Soft cover. Condition: Good. Reprint. Light wear and a little creasing to blue laminated covers. internally name written on half title. Contents clean and unmarked. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # X1396