Synopsis
This volume brings together BODY RAGS and MORTAL ACTS, MORTAL WORDS and THE PAST, three books that are central to the life's work of one of the masters of contemporary poetry. Included here are many of Galway Kinnell's best-loved and most anthologized poems. Kinnell has revised some of the poems for this new edition, and comments on his working method in a prefatory note.
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About the Author
Galway Kinnell is the Erich Maria Remarque Professor of Creative Writing at New York University. His Selected Poems won the Pultizer Prize and the National Book Award in 1982. His most recent volume of peoms is Imperfect Thirst.
Excerpt. © Reprinted by permission. All rights reserved.
The Olive Wood Fire
When Fergus woke crying at night, I would carry him from his crib to the rocking chair and sit holding him before the fire of thousand-year-old olive wood.
Sometimes, for reasons I never knew and he has forgotten, even after his bottle the big tears would keep on rolling down his big cheeks 'the left cheek always more brilliant than the right' and we would sit, some nights for hours, rocking in the light eking itself out of the ancient wood, and hold each other against the darkness, his close behind and far away in the future, mine I imagined all around.
One such time, fallen half-asleep myself, I thought I heard a scream 'a flier crying out in horror as he dropped fire on he didn't know what or whom, or else a child thus set aflame' and sat up alert. The olive wood fire had burned low. In my arms lay Fergus, fast asleep, left cheek glowing, God.
Three Books: Copyright © 1993, 2002 by Galway Kinnell Mortal Acts, Mortal Words: Copyright © 1980 by Galway Kinnell Reprinted by permission of Houghton Mifflin Company.
When Fergus woke crying at night, I would carry him from his crib to the rocking chair and sit holding him before the fire of thousand-year-old olive wood.
Sometimes, for reasons I never knew and he has forgotten, even after his bottle the big tears would keep on rolling down his big cheeks 'the left cheek always more brilliant than the right' and we would sit, some nights for hours, rocking in the light eking itself out of the ancient wood, and hold each other against the darkness, his close behind and far away in the future, mine I imagined all around.
One such time, fallen half-asleep myself, I thought I heard a scream 'a flier crying out in horror as he dropped fire on he didn't know what or whom, or else a child thus set aflame' and sat up alert. The olive wood fire had burned low. In my arms lay Fergus, fast asleep, left cheek glowing, God.
Three Books: Copyright © 1993, 2002 by Galway Kinnell Mortal Acts, Mortal Words: Copyright © 1980 by Galway Kinnell Reprinted by permission of Houghton Mifflin Company.
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