From master storyteller Stephen King comes his classic #1 New York Times bestseller!
Can an entire city be haunted? The Losers Club of 1958 seems to think so. After all, when they were teenagers back then, these seven friends who called the small New England metropolis of Derry their home had first-hand experience with what made this place so horribly different. Every twenty-seven years, something that has existed here for a very long time comes back to terrorize Derry, lurking in the city storm drains and sewers, taking the shape of every nightmare and deepest dread. And yet, time passed and the children grew up, moved away...the horror of what they all experienced buried deep, wrapped in forgetfulness. Now nearly thirty years later, they re all being called back to Derry for a final life-or-death confrontation with a primordial evil that stirs and coils in the sullen depths of their memories. For the Losers Club and the thing known only as It have some unfinished business with each other ."
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Stephen King's idea for It came from a favorite childhood image: the entire cast of the Bugs Bunny Show coming on at the beginning. He thought of bringing on all the monsters, one last time: Dracula, Frankenstein's creature, the Werewolf, the Crawling Eye, Rodan, It Came from Outer Space.
It is about a group of adults who were once troubled children in the late '50s--"The Losers." One of them is a best selling horror writer much like Stephen King (or his friend and collaborator Peter Straub). In order to defeat the protean "It" that threatens their hometown, they have to go back- -not only to the town itself, but deep into their childhood memories, to regain the talent for magic they once had. King says It is for "the buried child in us, but I'm writing for the grown-up, too. I want grown-ups to look at the child long enough to be able to give him up."
This huge, baggy beast of a novel is a favorite of Stephen King fans--second in popularity only to The Stand. Perhaps longtime fans develop mental filters for King's sloppy storytelling to tune out the repetitions and silliness. King is like the pointillist painter Seurat: if you stand too close to the little dots, the picture falls apart, and it looks meaningless. That's why he makes the storyscape so big--to take you up to that macro-level where you like the book in spite of its flaws. --Fiona Webster
A great scary book. ("San Francisco Chronicle") A landmark in American literature. ("Chicago Sun-Times") [King's] best novel since "Firestarter," ("People") A sprawling scare-fest. ("Philadelphia Inquirer")
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