A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
COSTA BOOK OF THE YEAR 2008
Nearing her one-hundredth birthday, Roseanne McNulty faces an uncertain future, as the Roscommon Regional Mental hospital where she's spent the best part of her adult life prepares for closure. Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene, and their relationship intensifies and complicates. Told through their respective journals, the story that emerges is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne's story becomes an alternative, secret history of Ireland's changing character and the story of a life blighted by terrible mistreatment and ignorance, and yet marked still by love and passion and hope.
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The acclaim that has greeted Sebastian Barry’s The Secret Scripture is varied and enthusiastic, and it's not hard to see why. When Frank McGuiness praised it for ‘raw, rough beauty’ and described Sebastian Barry's fiction as ‘unique’ and ‘magnificent’, this claim was no hostage to fortune; just a few sentences of the prose here will convince most readers of the justice of those words. As in the best-selling A Long Long Way, Barry is concerned with the imperatives of telling a story, but in a literary form that is rich with both psychological understanding and a skilful conjuring of time and place.
Roseanne McNulty may (or may not) be on the point of nearing her 100th birthday -- but there is little certainty about this fact. In her twilight years, her destiny is uncertain, as the Roscommon Mental Hospital -- her home for so many years of her life -- is on the point of closing. As the fateful hour approaches, Roseanne spends her time of talking to her psychiatrist of many years, Dr Grene. The relationship between the two is strangely interdependent, and the doctor is also attempting to come to terms with the death of his wife. As we learn more about the two principal protagonists, we are presented with a rich and subtle picture of human relationships -- and the (often unintentional) damages that we all do to each other.
The form of the book consists of the separate journals of Roseanne and Dr Grene, and we gradually learn about Roseanne’s family in Sligo in the 1930s. What emergence is a poignant personal history; it is also a subtly ambitious picture of nothing less than the Irish psyche at a particular point in its history. There are echoes here of another great Irish chronicler of the human condition, William Trevor, and The Secret Scripture is no worse for that. --Barry Forshaw
'Roseanne McNulty is almost a century old and has been imprisoned in a mental institution in the west of Ireland for many decades. But with the hospital facing closure, her psychiatrist Dr Grene conducts a series of interviews with her to assess her suitability for release into the community. Through the accounts that each of them keep of their meetings, Sebastian Barry allows a horrifying tale of death, duplicity and deception to unfold, as it becomes clear Roseanne has become tragically enmeshed in the tangles web of Ireland's history, politics and religion.', London Review of Books
'People persist with ordinary life, because there is no other sort of life." Yet ordinary lives meander and circle and overflow and sometimes turn upside down; none of which can even begin to give a flavour of the breathtaking sinuosity of Sebastian Barry's fourth novel. It is narrated by Roseanne McNulty, who has been in a mental hospital for much of her life, and by her psychiatrist Dr Grene. Roseanne is ancient - maybe 100, nobody knows - and her doctor is distracted, both by grief at the death of his wife and alarm at the imminent closure of his asylum. They are, as the saying has it, a right pair; and they carry our interest and empathy as the storyline shifts and twists along the byways of Irish history and the ancient, secret paths of the human mind. The bookies' favourite for last year's Man Booker Prize, The Secret Scripture has just won the overall 2008 Costa Book of the Year award. "Exquisite...mesmerising...memorable...unique". Take your pick of the adjectives; just don't be put off by the hype. This is a great book by, arguably, our greatest living novelist.'
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