That They May Face the Rising Sun - Softcover

 
9780571212262: That They May Face the Rising Sun

Synopsis

That They May Face the Rising Sun was the last novel from John McGahern, one of Ireland's greatest novelists.

Joe and Kate Ruttledge have come to Ireland from London in search of a different life. In passages of beauty and truth, the drama of a year in their lives and those of the memorable characters that move about them unfolds through the action, the rituals of work, religious observances and play. We are introduced, with deceptive simplicity, to a complete representation of existence - an enclosed world has been transformed into an Everywhere.

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Review

Irish writer John McGahern's first new novel in 12 years, That They May Face the Rising Sun, is a work of delicately forged beauty, the nearest he has yet come to writing of happiness. The plot remains defiantly not the thing for McGahern, with little of consequence happening beyond life's natural syncopations, yet the nuances of language and relationship soar as gracefully as the abundant wildfowl that crowd the book's pages. News is the old currency, carried in the dialogue which remains McGahern's most discernible talent. Set in rural County Leitrim, the inhabitants of the houses around the lake and the local town, heady on the whiskey elixir that loosens tongues or seals deals, watch as their insular community is gently pummelled by the creeping advance of modern life. While they share the year's natural cycle, the unfolding months reveal their personal differences: Joe and Kate Ruttledge, returned after a long spell in London; Mary and Jamesie, their whole life lived there; John Quinn, the charming, brutal womaniser, who marries and loses as quickly the bride he finds at the Knock Marriage Bureau; The Shah, Kate's uncle, who wordlessly sells his business to his cripplingly honest assistant, Frank; and Jimmy Joe Kiernan, auctioneer and undertaker, a veteran IRA man still on the lookout for stray souls. And then there is Jamesie's brother Joseph, the best shot in the district, who went to England after a woman, and stayed there, his soul sold for the "alphabetical" order of English life.

There is little alphabetical to McGahern's view of life, though there is consummate poetry. His narrative quietly rumbles out its melody through gentle variance, undulating conversations over the restless scars of violent pasts and fractured presents, the Troubles only ever across the nearby border. Stories are for the re-telling, yet the intrusion of telephone wires and Blind Date merely formalises the inevitable, the secularisation of ritual, and the dying of belief, if not yet habit. Already acclaimed as one of Ireland's leading writers for works such as High Ground and Amongst Women, to read this offering is to appreciate the unique beauty of the novel form, and the rare, bewitching talent of John McGahern. --David Vincent

Review

...I said that there was no finer writer in English today than McGahern. -- Independent on Sunday, January 27, 2002

...what it heralds here: a fine talent. -- Sunday Telegraph, January 13, 2002, Sunday

Neither sentimental nor nostalgic, though definitively elegiac of a vanishing world, this Irish masterpiece ranges in emotional scope. -- The Evening Standard, January 21, 2002

Pacing has always been a large part of McGahern's genius. Nothing is forced or overstated and no judgements are passed. -- The Sunday Herald, January 6, 2002

That They May Face the Rising Sun has a ring of authenticity about it, and stands McGahern above any contemporary Irish novelist half his age. -- The Times, January 9, 2002, Wednesday

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