A study of Tim Burton, director of films such as "Beetlejuice" and "Batman". It includes stills, storyboards, set designs, and text by Mark Salisbury, who interviews Burton and examines his place in both the long tradition of American animation and the popular cinema of the 1990s.
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Hollywood's relationship with Tim Burton has always been a little uneasy. A fiercely individual artist working within the constraints of the studio system, Burton has made some incredibly successful films--notably the 1989 blockbuster Batman and its first sequel--but the industry just doesn't know what to make of him. In the Foreword to this book, Burton favourite Johnny Depp (Edward Scissorhands, Ed Wood, Sleepy Hollow) observes that "I have never seen someone so obviously out of place fit right in. His way."
Taking the form of an extended interview, Burton on Burton allows the director space to discuss his films, and to digress where this seems illuminating; it also includes an impressive selection of film stills and Burton's drawings. Mark Salisbury does not so much question Burton, as guide the director through his own career, commenting where necessary but managing never to seem intrusive. Burton discusses his childhood and his often unhappy time at Disney ("I would sit in the closet a lot of the time and not come out"), before moving on to offer a fascinating insight into his idiosyncratic body of work.
Burton comes across as a man in love with "the joy of creating", but one who is refreshingly lacking in pretensions. He describes himself as a "commercial director", taking the financial investment which is put into his films very seriously, and saying of his work that "I'm very wary of analysing it too intellectually." At the same time, he has a genuine enthusiasm for cinema, discussing his influences--which range from Godzilla to Fellini--but stressing that he never aims for a literal homage to a favourite film. The director's enthusiasm is infectious. This an essential volume for Burton's fans, and an entertaining read for anyone else--it's hard not to like a director who (discussing Mars Attacks) declares that "It seemed like a good idea to just blow away celebrities with ray-guns." --John Oates
"ÝBurton¨ is, to me, a true genius and I wouldn't use that word with too many people, believe me. You can't label what he does. It's not magic, because that would imply some sort of trickery. It's not just skill, because that seems like it's learned. What he has is a very special gift that we don't see every day. It's not enough to call him a filmmaker. The rare title of 'genius' is a better fit . . . in not just film but drawings, photographs, thought, insight, and ideas . . . I have never seen someone so obviously out of place fit right in."--Johnny Depp, from the Foreword
"[Burton] is, to me, a true genius and I wouldn't use that word with too many people, believe me. You can't label what he does. It's not magic, because that would imply some sort of trickery. It's not just skill, because that seems like it's learned. What he has is a very special gift that we don't see every day. It's not enough to call him a filmmaker. The rare title of 'genius' is a better fit . . . in not just film but drawings, photographs, thought, insight, and ideas . . . I have never seen someone so obviously out of place fit right in."--Johnny Depp, from the Foreword
[Burton] is, to me, a true genius and I wouldn't use that word with too many people, believe me. You can't label what he does. It's not magic, because that would imply some sort of trickery. It's not just skill, because that seems like it's learned. What he has is a very special gift that we don't see every day. It's not enough to call him a filmmaker. The rare title of 'genius' is a better fit . . . in not just film but drawings, photographs, thought, insight, and ideas . . . I have never seen someone so obviously out of place fit right in. "Johnny Depp, from the Foreword""
"[Burton] is, to me, a true genius and I wouldn't use that word with too many people, believe me. You can't label what he does. It's not magic, because that would imply some sort of trickery. It's not just skill, because that seems like it's learned. What he has is a very special gift that we don't see every day. It's not enough to call him a filmmaker. The rare title of 'genius' is a better fit . . . in not just film but drawings, photographs, thought, insight, and ideas . . . I have never seen someone so obviously out of place fit right in." --Johnny Depp, from the Foreword
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Hardcover. Condition: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung. With the Batman films, Beetlejuice, Edward Scissorhands, The Nightmare Before Christmas, and Ed Wood, Tim Burton has established himself as one of cinema's great visionaries. Formerly an animator with Walt Disney, Burton's ascent through the studio system to his current position as one of Hollywood's most successful directors has been swift. But while his movies are box-office gold, his approach is distinctly personal. In this fascinating and enlightening book, Burton talks about his childhood in Burbank, his time at Disney, the recurring themes present in his work, and how his films are fuelled by emotion, symbolism and sometimes inner torment. Seller Inventory # 3cb4c9b8-6bb7-45ba-ac74-a3512f4b6d29
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