An attempt to show why opera is one of the greatest forms of dramatic art, this has accounts of some of the greatest operas by Monteverdi, Gluck, Mozart, Verdi, Wagner, Debussy and Berg. This revised edition has new material including a section on "Idomeneo" and an epilogue on "operatic criticism". Among Professor Kerman's other books include "Beethoven" (with Alan Tyson) and "Musicology". He is the co-editor of the journal "19th-century Music", and writes regularly for "The New York Review of Books", and "Critical Enquiry".
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"Affords the serious reader and listener an absorbing encounter with a sensitive and superbly trained intelligence in the act of thinking about music and music criticism. . . . We come away remembering the sound of Kerman's prose voice, mellifluous, elegant, eminently civilized, beneath its cool control a ground bass of urgent feeling."--John Dizikes, "San Francisco Chronicle Book Review
PRAISE FOR THE PREVIOUS EDITIONS: "If you are for opera, this book is for you."--"New York Times Book Review"The most influential recent book on opera criticism. . . in the English-speaking world"--"New Grove Dictionary of Opera"Affords the serious reader and listener an absorbing encounter with a sensitive and superbly trained intelligence in the act of thinking about music and music criticism. . . . We come away remembering the sound of Kerman's prose voice, mellifluous, elegant, eminently civilized, beneath its cool control a ground bass of urgent feeling."--"San Francisco Chronicle Book Review"The author's clarity and pungency...make for enjoyable, challenging reading. It is a collection that can tease the person who is primarily interested in opera into wanting to explore the song literature of the English Renaissance or to listen more knowledgeably to Mozart's piano concertos and Beethoven's symphonies."--William Ashbrook, "Opera Quarterly ""Kerman's musicological activity is technical without neglecting the importance of text, cultural context, meaning, expression, and value, and is likely to appeal to educated lay people.... Kerman's scholarship is careful and sensitive, and often subtle and witty. Yet this subtle scholarship has evoked strong and widespread reaction and provided significant leadership within musicology and beyond."--Renee Cox Lorraine, "Notes ""Lucid, lively.... Many aspects of his work can provide inspiration."--Oliver Neighbour, "Music and Letters"
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Paperback. Condition: Good. First Faber paperback edition, 1989, in overall good-to-very good used condition with minor signs of age, handling and storage - light rubbing to edges and slight crease to spine. Internally clean. Binding tight and appears little read; no annotations - birthday gift inscription to ffep; light tanning to page-ends but text and musical examples bright and clear throughout. Not an old library book. Seller Inventory # 161076
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