Items related to Luigi Nono: A Composer in Context (Music since 1900)
Synopsis
The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fučik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo.
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About the Author
Carola Nielinger-Vakil is a freelance flautist and musicologist based in London. She has published widely on the music of Luigi Nono. In collaboration with Martin Brady, she has also written on film music by Paul Dessau.
"About this title" may belong to another edition of this title.
- PublisherCambridge University Press
- Publication date2016
- ISBN 10 0521845343
- ISBN 13 9780521845342
- BindingHardcover
- LanguageEnglish
- Number of pages364
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Luigi Nono: A Composer in Context (Music since 1900)
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Luigi Nono: A Composer in Context (Hardcover)
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Hardcover. Condition: new. Hardcover. The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo. The anti-fascist cantata Il canto sospeso, the string-quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Nielinger-Vakil examines these three major works in the context of related works and the diverging circumstances in Italy and Germany after 1945. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780521845342
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Luigi Nono: A Composer in Context
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Luigi Nono
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The anti-fascist cantata Il canto sospeso, the string-quartet Fragmente - Stille, an Diotima and the Tragedy of Listening Prometeo cemented Luigi Nono s place in music history. In this study, Nielinger-Vakil examines these three major works in the context. Seller Inventory # 33846518
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Luigi Nono: A Composer in Context (Hardcover)
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Hardcover. Condition: new. Hardcover. The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo. The anti-fascist cantata Il canto sospeso, the string-quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Nielinger-Vakil examines these three major works in the context of related works and the diverging circumstances in Italy and Germany after 1945. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780521845342
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Luigi Nono: A Composer in Context (Music since 1900)
Published by
Cambridge University Press, 2016
ISBN 10: 0521845343
ISBN 13: 9780521845342
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Luigi Nono: A Composer in Context (Hardcover)
Published by
Cambridge University Press, Cambridge, 2016
ISBN 10: 0521845343
ISBN 13: 9780521845342
New
Hardcover
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Hardcover. Condition: new. Hardcover. The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo. The anti-fascist cantata Il canto sospeso, the string-quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Nielinger-Vakil examines these three major works in the context of related works and the diverging circumstances in Italy and Germany after 1945. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521845342
Quantity: 1 available