In this study, Luba Freedman examines the revival of the twelve Olympian deities in the visual arts of sixteenth-century Italy. Renaissance representations of the Olympians as autonomous figures in paintings, sculpture and drawing were not easily integrated into a Christian society. While many patrons and artists venerated the ancient artworks for their artistic qualities, others, nourished by religious beliefs, felt compelled to adapt ancient representations to Christian subjects. These conflicting attitudes influenced the representation of deities intentionally made all'antica, often resulting in an interweaving of classical and non-classical elements that is alien to the original, ancient sources. This study, the first devoted to this problem, highlights how problematic it was during the Cinquecento to display and receive images of pagan gods, whether shaped by ancient or contemporary artists. It offers new insights into the uneven absorption of the classical heritage during the early modern era.
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Luba Freedman is a scholar of Italian Renaissance art at the Hebrew University of Jerusalem, and has also been a Visiting Scholar at the American Academy in Rome and at the Center of Renaissance and Reformation Studies at Victoria College, University of Toronto. She is the author of The Classical Pastoral in the Visual Arts, Titian's Independent Self-Portraits and Titian's Portraits through Arentino's Lens. Freeman co-edited with Gerlinde Huber-Rebenich a book of essays, Wege zum Mythos. She is also on the advisory board of Renaissance Studies and The Sixteenth-Century Journal.
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Seller: RT Books, Wexford, PA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. PUBLISHER: Cambridge University Press DATE/EDITION: 2003, states first published in 2003. BINDING: Hardbound, 301 pages. DUST JACKET: Very good, clean and bright with no rips. BOOK CONDITION: Very good, clean, unmarked text, tight binding. DESCRIPTION: Illustrated. Seller Inventory # 009291
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Hardcover. 301pp. From the library of archaeologist and art historian Karl Kalinski II. Dr. Kalinski's signature and date else as new in a bright and crisp dust jacket which is now in a clear protective mylar sleeve. Seller Inventory # 221658
Seller: Ancient World Books, Toronto, ON, Canada
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Light edgewear along top edge of DJ. Very faint shelfwear to book else fine.; This book deals specifically with sixteenth-century depictions of the Olympian deities, the twelve supreme deities of ancient Greece and Rome. As the Renaissance revived several aspects of antiquity, some great works of art represented the Olympians in imitation of the classical style. These deities were rendered as autonomous figures, in the form of representation adapted for depicting saints and Christian rulers. This form of depicting the Olympians, or the pagan gods, was not unanimously accepted by sixteenth-century viewers. The book highlights the problematic framework surrounding the creation, display and acceptance of such thought-provoking works of art.; 9.7 X 7.2 X 1.0 inches; 318 pages. Seller Inventory # 33458
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Seller: Antiquariat Rohde, Hamburg, Germany
Pp. Condition: Gut. 301 Seiten ; Ill. ; Sprache: Englisch guter Zustand, leicht schief, leichte Lagerspuren und Randläsuren, am Schutzumschlag, Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 910. Seller Inventory # 43858
Seller: Borkert, Schwarz und Zerfaß GbR, Berlin, Germany
Hardcover with dustjacket. Condition: Gut. XV, 301 p.: Ill. Schutzumschlag leicht berieben und mit Randläsuren und kleinen Einrissen, sonst ein gutes Exemplar / dust jacket slightly rubbed and with marginal wear and small tears, otherwise a good copy. - In this study, Luba Freedman examines the revival of the twelve Olympian deities in the visual arts of sixteenth-century Italy. Renaissance representations of the Olympians as autonomous figures in paintings, sculp' ture, and drawing were not easily integrated into a Christian society. While many patrons and artists venerated the ancient artworks for their artistic qualities, others, nourished by religious beliefs, felt compelled to adapt ancient representations to Christian subjects. These conflicting attitudes influenced the representation of deities intentionally made all'antica, often resulting in an interweaving of classical and nonclassical elements that is alien to the original, ancient sources. The study, the first devoted to this problem, highlights how problematic it was during the Cinque- cento to display and receive images of pagan gods, whether shaped by ancient or contemporary artists. It offers new insights into the uneven absorption of the classical heritage during the early modern era. / CONTENTS List of Illustrations Acknowledgments Introduction PART 1: OUTLINING A CINQUECENTO PHENOMENON 1 Terms and Concepts 2 Components of the Phenomenon PART II: DISCOVERIES AND THEIR IMPACT 3 Olympian Deities in Ancient Sculpture 4 Ancient Testimonies 5 Literary Descriptions 6 The Question of Revival PART III: CINQUECENTO WORKS OF ART 7 Classical Elements 8 Nonclassical Elements 9 The Conflict in Cinquecento Schools of Thought Notes Frequently Cited Modern Sources Index. ISBN 9780521815765 Sprache: Englisch Gewicht in Gramm: 873. Seller Inventory # 1202656
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Condition: Acceptable. Used - Acceptable. Dust cover damaged. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-G-022-02299
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