Mapping has become a key term in current critical discourse, describing a particular cognitive mode of gaining control over the world, of synthesising cultural and geographical information, and of successfully navigating both physical and mental space. In this 2001 collection, an international team of renaissance scholars analyses the material practice behind this semiotic concept. By examining map-driven changes in gender identities, body conception, military practices, political structures, national imaginings and imperial aspirations, the essays in this volume expose the multi-layered investments of historical 'paper landscapes' in the politics of space. Ranging widely across visual and textual artifacts implicated in the culture of mapping, from the literature of Shakespeare, Spenser, Marlowe and Jonson, to representations of body, city, nation and empire, Literature, Mapping, and the Politics of Space argues for a thorough re-evaluation of the impact of cartography on the shaping of social and political identities in early modern Britain.
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Andrew Gordon is a Research Fellow in the School of Humanities at Birkbeck College, University of London. He is the author of a study guide for Thomas More's Utopia, as well as several articles on aspects of Renaissance culture. Bernhard Klein is Lecturer in the Department of English at the University of Dortmund in Germany. He is the author of Maps and the Writing of Space in Early Modern England and Ireland (2000), and of several essays, reviews and book chapters on Renaissance culture and on contemporary Irish literature.
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First edition. xiii+276 pages with index. Illustrated. Cloth. Fine in dustjacket. Still in publishers shrink-wrap. Mapping has become a key term in current critical discourse, describing a particular cognitive mode of gaining control over the world, of synthesising cultural and geographical information, and of successfully navigating both physical and mental space. In this timely collection, an international team of renaissance scholars analyses the material practice behind this semiotic concept. By examining map-driven changes in gender identities, body conception, military practices, political structures, national imaginings, and imperial aspirations, the essays in this volume expose the multi-layered investments of historical paper landscapes in the politics of space. Ranging widely across visual and textual artifacts implicated in the culture of mapping, from the literature of Shakespeare, Spenser, Marlowe and Jonson, to representations of body, city, nation and empire, Literature, Mapping, and the Politics of Space argues for a thorough reevaluation of the impact of cartography on the shaping of social and political identities in early modern Britain. Seller Inventory # 10902
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First edition. xiii+276 pages with index. Illustrated. Cloth. Fine in dustjacket. Still in publishers original shrink-wrap. Mapping has become a key term in current critical discourse, describing a particular cognitive mode of gaining control over the world, of synthesising cultural and geographical information, and of successfully navigating both physical and mental space. In this timely collection, an international team of renaissance scholars analyses the material practice behind this semiotic concept. By examining map-driven changes in gender identities, body conception, military practices, political structures, national imaginings, and imperial aspirations, the essays in this volume expose the multi-layered investments of historical paper landscapes in the politics of space. Ranging widely across visual and textual artifacts implicated in the culture of mapping, from the literature of Shakespeare, Spenser, Marlowe and Jonson, to representations of body, city, nation and empire, Literature, Mapping, and the Politics of Space argues for a thorough reevaluation of the impact of cartography on the shaping of social and political identities in early modern Britain. Seller Inventory # 13896
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