This book is about the way in which a society constructs an idea of nature and the role that art, and specifically music, may have in the articulation of that idea. It explores such an idea in relation to Webern, whose music has been almost exclusively portrayed as abstract and autonomous. In opposition to the exclusively formalist concerns of post-Darmstadt Webern reception, this book argues that abstraction in music is understood fully only in relation to the material, historical reality from which it abstracts, and that musical modernism is more fully understood by exposing its underground roots in the aesthetics of romanticism.
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'... Julian Johnson's engrossing new study ... encourages a re-examination of the inner qualities of the music itself.' David Allenby, Musical Times
This book considers the idea of nature in the music of Webern. It explores the wider social and cultural dimensions of the music, and in doing so it offers an important case study for the way in which social ideas can be discussed in relation to apparently 'abstract' modern music.
"About this title" may belong to another edition of this title.
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Hardcover. Condition: new. Hardcover. This book is about the way in which a society constructs an idea of nature and the role that art, and specifically music, may have in the articulation of that idea. It explores such an idea in relation to Webern, whose music has been almost exclusively portrayed as abstract and autonomous. In opposition to the exclusively formalist concerns of post-Darmstadt Webern reception, this book argues that abstraction in music is understood fully only in relation to the material, historical reality from which it abstracts, and that musical modernism is more fully understood by exposing its underground roots in the aesthetics of romanticism. This book considers the idea of nature in the music of Webern. It explores the wider social and cultural dimensions of the music, and in doing so it offers an important case study for the way in which social ideas can be discussed in relation to apparently 'abstract' modern music. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780521661492
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Hardcover. Condition: new. Hardcover. This book is about the way in which a society constructs an idea of nature and the role that art, and specifically music, may have in the articulation of that idea. It explores such an idea in relation to Webern, whose music has been almost exclusively portrayed as abstract and autonomous. In opposition to the exclusively formalist concerns of post-Darmstadt Webern reception, this book argues that abstraction in music is understood fully only in relation to the material, historical reality from which it abstracts, and that musical modernism is more fully understood by exposing its underground roots in the aesthetics of romanticism. This book considers the idea of nature in the music of Webern. It explores the wider social and cultural dimensions of the music, and in doing so it offers an important case study for the way in which social ideas can be discussed in relation to apparently 'abstract' modern music. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780521661492
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Hardcover. Condition: new. Hardcover. This book is about the way in which a society constructs an idea of nature and the role that art, and specifically music, may have in the articulation of that idea. It explores such an idea in relation to Webern, whose music has been almost exclusively portrayed as abstract and autonomous. In opposition to the exclusively formalist concerns of post-Darmstadt Webern reception, this book argues that abstraction in music is understood fully only in relation to the material, historical reality from which it abstracts, and that musical modernism is more fully understood by exposing its underground roots in the aesthetics of romanticism. This book considers the idea of nature in the music of Webern. It explores the wider social and cultural dimensions of the music, and in doing so it offers an important case study for the way in which social ideas can be discussed in relation to apparently 'abstract' modern music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521661492
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