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After Dickens: Reading, Adaptation and Performance: 20 (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 20) - Hardcover
Book 9 of 81: Cambridge Studies in Nineteenth-Century Literature and Culture
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A study of Dickens's hostility to theatre and theatricality alongside the huge performative potential of his fiction.
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After Dickens: Reading, Adaptation and Performance (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 20)
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Cambridge University Press, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-B-009-02184
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After Dickens: Reading, Adaptation and Performance (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 20)
Published by
Cambridge University Press, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0521633222. Seller Inventory # 5831226
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After Dickens Reading, Adaptation and Performance
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Cambridge University Press, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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Condition: Very Good. From the Library of John Russell Taylor. Seller Inventory # PL-10226-L41
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After Dickens: Reading, Adaptation and Performance (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 20)
Published by
Cambridge University Press, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Publisher's hardback in better than very good condition: firm and square, strong joints. Complete with original dustjacket, not showing any tears or chips. Contents tight and clean; no pen-marks. Not from a library so no such stamps or labels. Thus a tidy book in very presentable condition. Seller Inventory # 208013
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After Dickens: Reading, Adaptation and Performance. [Cambridge Studies in Nineteenth-Century Literature and Culture]
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Cambridge: Cambridge University Press, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. xiii, 226 pp. [ISBN: 978-0521633222] Hardbound. PUBLISHER S DAMAGE STAMP on title-page. In all other respects, a fine bright copy in like dustwrapper. Seller Inventory # 27916
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After Dickens: Reading, Adaptation and Performance
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Cambridge University Press, 1999, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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Hardcover. Condition: As New. Dust Jacket Condition: As New. Hbk 226pp a new and unread copy excellent clean tight unmarked in sleeve-protected dj as new. Seller Inventory # SBL621
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After Dickens: Reading, Adaptation and Performance (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 20)
Published by
Cambridge University Press, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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After Dickens: Reading, Adaptation and Performance (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 20)
Published by
Cambridge University Press, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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After Dickens: Reading, Adaptation and Performance
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Cambridge University Press, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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After Dickens
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Cambridge University Press, GB, 1999
ISBN 10: 0521633222
ISBN 13: 9780521633222
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
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Hardback. Condition: New. After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance. Seller Inventory # LU-9780521633222
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