Examines the Renaissance production and reception of works by Dante, Petrarch, Boccaccio and others, and explores the impact of new printing and editing methods on Renaissance culture.
"synopsis" may belong to another edition of this title.
"Richardson's book is interesting and timely on a subject practically unknown and only partially understood." Annali d'italianistica
"The editing and printing of the Latin and Greek classics has long been recognized as one of the glories of the Italian Renaissance, and scholars have duly studied the phenomenon....the book is original and welcome....Overall, Richardson has written an informative and very well-researched book that adds a good deal to our knowledge of printing and publishing in the Italian Renaissance." Paul Grendler, American Historical Review
"This most carefully researched book, the first study in English of the role of the editor of Italian vernacular texts in the sixteenth century, wiill prove highly valuable to historians of early printing, of the book as a material object, and of the Italian language and its first canonical authors as well as to bibliographers and bibliophiles interested in the various editions of Petrarch, Boccaccio, Dante, and Ariosto that were published in the first century of printing." Modern Philology
"This exceedingly rich book documents the growing importance of the editor or correctore of vernacular texts in (late) fifteenth and sixteenth-century Venice and Florence....This book is essential reading for Renaissance Scholars....it documents an exciting time in the history of western culture and provides an excellent reminder that all printed texts are the product of delicate negotiations between the integrity of the text and the needs of the reader." John Mulryan, Cithara
The emergence of print gave new importance to editors, who determined the form and context in which texts would be read. Brian Richardson examines the Renaissance production and reception of works by Dante, Petrarch, Boccaccio and others, and explores the impact of new printing and editing methods on Renaissance culture.
"About this title" may belong to another edition of this title.
Seller: -OnTimeBooks-, Phoenix, AZ, U.S.A.
Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Seller Inventory # OTV.0521420326.G
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 619177-75
Seller: Karen Wickliff - Books, Columbus, OH, U.S.A.
Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. 265pp. Maroon hardback, DJ has light rubbing at corner tips, no names or markings, indices, bibliography, chapter notes and references, Study of Renaissance circulation and reception of texts, Seller Inventory # w240233016
Seller: John K King Used & Rare Books, Detroit, MI, U.S.A.
Cambridge (1994). 9x6", boards, 265 w/index, EX-LIBRARY, usual markings else v.g. Seller Inventory # 95-2991
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-G-015-01928
Quantity: 2 available
Seller: Labyrinth Books, Princeton, NJ, U.S.A.
Condition: Very Good. Seller Inventory # 121617
Seller: Minster Gate Bookshop (est. 1970), YORK, United Kingdom
Condition: Very Good. Reprint, 8vo., pp. xvi,265, hardcover, black lettering; light shelfwear to boards, a very good copy. No dust-jacket, as issued. Seller Inventory # 39725
Quantity: 1 available
Seller: Ammareal, Morangis, France
Hardcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 1994. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 1994. Ammareal gives back up to 15% of this item's net price to charity organizations. Seller Inventory # H-342-230
Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy
Rilegato in Tela. Condition: fine. English Text.Cambridge, 1994; clothbound, pp. 290. The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of texts by adding introductory material or commentary. Brian Richardson here examines the Renaissance circulation and reception of works by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture, including the standardisation of vernacular Italian and its spread to new readers and writers, the establishment of new standards in textual criticism, and the increasing rivalry between the two cities on which this study is chiefly focused, Venice and Florence. Libro. Seller Inventory # 3306197
Seller: Asano Bookshop, Nagoya, AICHI, Japan
Condition: Good. Used, Hardcover, light tan, good condition, 23.5x15.5cm, 265pp, dust jacket. Seller Inventory # a27746