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Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300–1600 - Hardcover
Synopsis
Bambach re-assesses the role of artists and their assistants in the creation of monumental painting.
"synopsis" may belong to another edition of this title.
Review
'It is a truly ground-breaking and dauntingly omniscient consideration of a subject of obviously seminal importance which everyone else has shied away from ... bound to be essential reading for anyone interested in the Italian renaissance, and it is impossible to imagine it being superseded.' Apollo
'... based on years of scrupulous, exhaustive research ... the author's findings are invariably grounded in her knowledge of the already ample literature on the subject. Bambach's book goes a long way to shed much-needed light on the laborious and complex working processes of Renaissance painting.' Apollo
Book Description
In Drawing and Painting in the Italian Renaissance Workshop, Carmen Bambach re-assesses the role of artists and their assistants in the creation of monumental painting. Analyzing wall paintings and drawings, Bambach convincingly reconstructs the development of workshop practice and design theory in the early modern period of the Italian Renaissance.
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DRAWING AND PAINTING IN THE ITALIAN RENAISSANCE WORKSHOP. Theory and Practice, 1300-1600.
Published by
Cambridge: Cambridge University Press, 1999., 1999
ISBN 10: 0521402182
ISBN 13: 9780521402187
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Hardcover
Seller: Minster Gate Bookshop (est. 1970), YORK, United Kingdom
Seller rating 5 out of 5 stars
Condition: Fine. 4to., pp. xxvii,548, black hardcover, gilt, many b/w illustrations, several colour illustrations; ownership autograph to front paste-down endpaper; a fine copy in a fine unclipped dust-jacket. Seller Inventory # 41319
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Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 13001600
Published by
Cambridge University Press, Cambridge / New York, 1999
ISBN 10: 0521402182
ISBN 13: 9780521402187
Used
Hardcover
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: VG. Quarto. Hardcover. Black cloth boards in illustrated jacket. xxvii, 548 pages : illustrations (some color) ; 29 cm. 1. Introduction: From Workshop Practice to Design Theory -- 2. Processes, Materials, Tools, and Labor -- 3. Traditions of Copying -- 4. The Censure of Copying Practices -- 5. The Splendors of Ornament.; 11. Spolvero, Calco, and the Technical Virtuosity of Fresco Painting -- App. 1. The Sizes of Bolognese Paper as Incised on the Slab of Stone from the "Societa degli Speziali."; 6. Toward a Scientific Design Technology in the Quattrocento -- 7. The Ideal of the "Ben Finito Cartone" in the Cinquecento -- 8. The "Substitute Cartoon" -- 9. The Art of Disegnare -- 10. Techniques of Stylus Incision.; App. 2. Cartoon Transfer Techniques in Michelangelo's Sistine Ceiling -- App. 3. The Escorial Embroideries: Concordance of the "Ben Finiti Cartoni" and Their "Substitute Cartoons.". Seller Inventory # 214616
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Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300?1600
Published by
Cambridge University Press, 1999
ISBN 10: 0521402182
ISBN 13: 9780521402187
Used
Hardcover
Seller: Broad Street Books, Branchville, NJ, U.S.A.
Seller rating 5 out of 5 stars
hardcover. Condition: As New. Hardcover with dust jacket. Book is in Excellent condition, pages are clean and tight. Seller Inventory # b29385