The modern published editions in which we read the great literary works of the distant and recent past almost invariably embody the work of a textual editor. Recent literary theory has called into question most of the assumptions on which the practice of textual editing has historically depended. Notions of authorial intention, authority, the status of annotation and commentary, the relationship between 'literary' and non-literary works (such as letters and dictionaries), and hence the concept of literature itself, are central to this debate. This volume of essays, written by practising textual editors and scholars, addresses the practical implications of these theoretical issues, taking a variety of texts as examples for the particular editorial problems they pose. The works of authors as various as Shakespeare and John Clare, Samuel Johnson and D. H. Lawrence, Milton and Oscar Wilde are invoked to demonstrate the practical basis of an editorial discipline which requires theoretical sophistication but resists reduction to any single theory.
"synopsis" may belong to another edition of this title.
This volume of essays, written by practising textual editors and scholars, addresses the practical implications of theoretical issues in a variety of texts from Shakespeare to John Clare, Samuel Johnson to D. H. Lawrence, and Milton to Oscar Wilde.
"About this title" may belong to another edition of this title.
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Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. SOPHISTICATED: THOUGHT-PROVOKING: USEFUL: NEW First Edition hardcover (Orig. 1985) Printing unstated, NEW unclipped mylar-protected jacket w/ sharp NEW edges & corners, strikingly handsome NEW cover w/ sharp NEW edges & corners, NEW sewn binding w/ tight signatures, IMMACULATE smooth-cut text-block exterior, IMPECCABLE cream-white end-papers on heavy stock, PRISTINE interior handsomely printed in on EXCELLENT acid-free unblemished archival paper * 8.75" x 5.62" x 0.75", 0.42 kg, x+221 (231) pp. * ABOUT THE BOOK: The modern published editions in which we read the great literary works of the distant & recent past almost invariably embody the work of a textual editor. Recent literary theory has called into question most of the assumptions on which the practice of textual editing has historically depended. Notions of authorial intention, authority, the status of annotation & commentary, the relationship between literary & non-literary works (such as letters & dictionaries), & hence the concept of literature itself, are central to this debate. This volume of essays, written by practicing textual editors & scholars, addresses the practical implications of these theoretical issues, taking a variety of texts as examples for the particular editorial problems they pose. The works of authors as various as Shakespeare & John Clare, Samuel Johnson & D.H. Lawrence, Milton & Oscar Wilde are invoked to demonstrate the practical basis of an editorial discipline which requires theoretical sophistication but resists reduction to any single theory. * SHIPPING: MNEMOSYNE carefully wraps, labels & custom-packages this fine book for FREE domestic shipment via USPS MEDIA MAIL or USPS PRIORITY MAIL for a below-cost additional fee & via USPS FIRST CLASS INTERNATIONAL AIRMAIL to international destinations at our posted rates. Seller Inventory # 009623
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Hardcover. Condition: new. Hardcover. The modern published editions in which we read the great literary works of the distant and recent past almost invariably embody the work of a textual editor. Recent literary theory has called into question most of the assumptions on which the practice of textual editing has historically depended. Notions of authorial intention, authority, the status of annotation and commentary, the relationship between 'literary' and non-literary works (such as letters and dictionaries), and hence the concept of literature itself, are central to this debate. This volume of essays, written by practising textual editors and scholars, addresses the practical implications of these theoretical issues, taking a variety of texts as examples for the particular editorial problems they pose. The works of authors as various as Shakespeare and John Clare, Samuel Johnson and D. H. Lawrence, Milton and Oscar Wilde are invoked to demonstrate the practical basis of an editorial discipline which requires theoretical sophistication but resists reduction to any single theory. This volume of essays, written by practising textual editors and scholars, addresses the practical implications of theoretical issues in a variety of texts from Shakespeare to John Clare, Samuel Johnson to D. H. Lawrence, and Milton to Oscar Wilde. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521401463
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