With the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify and shape its new aims. In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought.
"synopsis" may belong to another edition of this title.
'This brilliant, stimulating study in the history of ideas should become indispensible for Renaissance art historians, and for philosophers interested in the history of the philosophy of mind and in what might be called the 'pre-history' of aesthetics.' Choice
In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought.
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Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP16230057
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Used book that is in clean, average condition without any missing pages. Seller Inventory # 15384447-6
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Hardcover. Condition: Very Good. No Jacket. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0521326753I4N11
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Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Off-white cloth; Orange illus. dj.; xiii + 365 pp.; 7 bw figures; Mylar cover. From the jacket: ". . . shows how the medieval language of mental discourse derived from an understanding of classical thought, primarily Aristotelian, but also Platonic, Ciceronian, and Augustinian . . . This language provided the framework within which Renaissance attitudes toward artistic invention, judgment, and expression were articulated . . . This authoritative study will decisively influence the understanding not only of Renaissance art theory, but of the development of the entire Western aesthetic tradition." Very clean, tight copy but art school ex-lib. with usual marks. Dj faded at spine and areas of covers. Seller Inventory # 157375
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Off-white cloth; Orange illus. dj.; 365 pp.; 7 bw figures. From the jacket: ". . . shows how the medieval language of mental discourse derived from an understanding of classical thought, primarily Aristotelian, but also Platonic, Ciceronian, and Augustinian . . . This language provided the framework within which Renaissance attitudes toward artistic invention, judgment, and expression were articulated . . . This authoritative study will decisively influence the understanding not only of Renaissance art theory, but of the development of the entire Western aesthetic tradition." VG- (Sunning at spine of dj.; A few instances of underlining and notes in the margin). Seller Inventory # 118245
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Hardcover. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-0521326753
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition very good condition hard cover very good condition jacket tight binding clean pages gently read. Seller Inventory # 989a