A detailed study of the earliest opera in the modern repertoire.
"synopsis" may belong to another edition of this title.
This detailed study of the earliest opera to have gained a foothold in the modern repertoire has three main sections, with contributions from experts on various aspects of the opera's history and performance.
The book begins with a historical section, in which all the known evidence about the creation and early performances of "Orfeo" is drawn together and evaluated. The first chapter recounts the story of the early Mantuan performances, with the aid of hitherto unpublished contemporary correspondence (the texts of the letters are given, in Italian and English, in an appendix). The sources of the libretto are studied in this section, and the text of the original ending of the opera is given together with an English translation. This section ends with a detailed analytical synopsis of the opera, which considers (among other points) the reasons for believing that the opera was originally staged without breaks between the acts, and the implications of this for performers and critics today.
The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay on the opera by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of "Orfeo." The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems that it poses in performance.
This book--essential reading for all students of Monteverdi and of the early history of opera--will also enhance the enjoyment of opera-goers and record-collectors alike.
"About this title" may belong to another edition of this title.
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience. Seller Inventory # 0521284775-11-1
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0521284775I3N00
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001253393
Quantity: 3 available
Seller: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Paperback. Condition: Very Good. Octavo. Wrappers. 216 pp. From the collection of musicologist Stanley Boorman. Seller Inventory # 32978
Seller: Taos Books, Santa Fe, NM, U.S.A.
Paperback. Condition: Very Good. 1994 printing, tight unmarked and clean, absolutely NO age toning, no creases in spine, slight slant. Seller Inventory # 36959
Seller: L. Michael, North Hollywood, CA, U.S.A.
Soft Cover. Condition: Fine. B00K: Fine/As New/, 1999 (illustrator). B00K: Fine/As New/, Light Blue Spine With Title In Black Letters, Soft Cover B00K: Fine/As New/, Pages Are UnMarked, UnOpened, UnRead, Clean and Tight To the Spine. SYNOPSIS: A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance. $48.95. = = This B00K, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. = = World Wide Shipping, AVAILABLE. = =. Seller Inventory # 001242
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Condition: New. Seller Inventory # ABLIING23Feb2215580248623
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 694672-n
Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9780521284776
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance. This detailed study of the earliest opera to have gained a foothold in the modern repertoire has three main sections, with contributions from experts on various aspects of the opera's history and performance. The book begins with a historical section, in which all the known evidence about the creation and early performances of "Orfeo" is drawn together and evaluated. The first chapter recounts the story of the early Mantuan performances, with the aid of hitherto unpublished contemporary correspondence (the texts of the letters are given, in Italian and English, in an appendix). The sources of the libretto are studied in this section, and the text of the original ending of the opera is given together with an English translation. This section ends with a detailed analytical synopsis of the opera, which considers (among other points) the reasons for believing that the opera was originally staged without breaks between the acts, and the implications of this for performers and critics today. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay on the opera by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of "Orfeo." The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems that it poses in performance. This book—essential reading for all students of Monteverdi and of the early history of opera—will also enhance the enjoyment of opera-goers and record-collectors alike. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521284776