Mikhail Zoshchenko was a household name in the Soviet Union from the 1920s until the crackdown on the arts after World War II. This is a full-length study in English of his career, and of his critical and political reception in a society where the purpose of art was service to the state. It places his longer works and the events leading up to his literary assassination in 1946 in the context of the short, riotous works that won him mass readership and a devoted following among contemporary writers who agreed with each other on little else. Dr Scatton identifies stylistic and thematic unities in his prose, and argues that Zoshchenko's later works were natural outgrowths of his earlier experiments and not, as is often stated, aberrations or expressions of subservience to the regime. Both as a master of Russian prose and a victim of Stalinist literary politics, Zoshchenko has been the object of critical rediscovery and reassessment over the last 15 years. This book describes that process.
"synopsis" may belong to another edition of this title.
Dr Scatton explores the critical and political reception of a complex artist in a society where the purpose of art was to serve the state. Her book sheds new light on questions of literary politics in totalitarian societies, as well as bringing English-speaking readers a taste of a most original writer.
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Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Mikhail Zoshchenko was a household name in the Soviet Union from the 1920s until the crackdown on the arts after World War II. This is a full-length study in English of his career, and of his critical and political reception in a society where the purpose of art was service to the state. It places his longer works and the events leading up to his literary assassination in 1946 in the context of the short, riotous works that won him mass readership and a devoted following among contemporary writers who agreed with each other on little else. Dr Scatton identifies stylistic and thematic unities in his prose, and argues that Zoshchenko's later works were natural outgrowths of his earlier experiments and not, as is often stated, aberrations or expressions of subservience to the regime. Both as a master of Russian prose and a victim of Stalinist literary politics, Zoshchenko has been the object of critical rediscovery and reassessment over the last 15 years. This book describes that process. Dr Scatton explores the critical and political reception of a complex artist in a society where the purpose of art was to serve the state. Her book sheds new light on questions of literary politics in totalitarian societies, as well as bringing English-speaking readers a taste of a most original writer. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521114974
Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9780521114974
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Mikhail Zoshchenko was a household name in the Soviet Union from the 1920s until the crackdown on the arts after World War II. This is a full-length study in English of his career, and of his critical and political reception in a society where the purpose of art was service to the state. It places his longer works and the events leading up to his literary assassination in 1946 in the context of the short, riotous works that won him mass readership and a devoted following among contemporary writers who agreed with each other on little else. Dr Scatton identifies stylistic and thematic unities in his prose, and argues that Zoshchenko's later works were natural outgrowths of his earlier experiments and not, as is often stated, aberrations or expressions of subservience to the regime. Both as a master of Russian prose and a victim of Stalinist literary politics, Zoshchenko has been the object of critical rediscovery and reassessment over the last 15 years. This book describes that process. Seller Inventory # LU-9780521114974
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Seller: Anybook.com, Lincoln, United Kingdom
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780521114974. Seller Inventory # 4340594
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Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 1st edition. 314 pages. 8.43x5.43x0.79 inches. In Stock. This item is printed on demand. Seller Inventory # __0521114977
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Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Seller: Chiron Media, Wallingford, United Kingdom
Paperback. Condition: New. Seller Inventory # 6666-IUK-9780521114974
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. This book explores Mikhail Zoshchenko's critical and political reception in the Soviet Union. Series: Cambridge Studies in Russian Literature. Num Pages: 316 pages, 12 b/w illus. BIC Classification: 1DVUA; DSBH. Category: (P) Professional & Vocational. Dimension: 216 x 143 x 19. Weight in Grams: 418. . 2009. Illustrated. paperback. . . . . Seller Inventory # V9780521114974
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Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Seller Inventory # C9780521114974
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Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 316. Seller Inventory # 26532510