Stephen Pattemore examines passages within Revelation 4:1–22:21 that depict the people of God as actors in the apocalyptic drama and infers what impact these passages would have had on the self-understanding and behaviour of the original audience of the work. He uses Relevance Theory, a development in the linguistic field of pragmatics, to help understand the text against the background of allusion to other texts. Three important images are traced. The picture of the souls under the altar (6:9–11) is found to govern much of the direction of the text with its call to faithful witness and willingness for martyrdom. Even the militant image of a messianic army (7:1–8, 14:1–5) urges the audience in precisely the same direction. Both images combine in the final image of the bride, the culmination of challenge and hope traced briefly in the New Jerusalem visions.
"synopsis" may belong to another edition of this title.
Dr Pattemore is a translation consultant with United Bible Societies, working with translation projects in New Zealand and Papua New Guinea.
"About this title" may belong to another edition of this title.
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Condition: New. Linguistic analysis helps understand Revelation in the context of its time and its original audience. Series: Society for New Testament Studies Monograph Series. Num Pages: 276 pages, 2 b/w illus. 1 table. BIC Classification: DSA; HRCG. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 16. Weight in Grams: 350. . 2008. 1st Edition. paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780521078962
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Paperback. Condition: new. Paperback. Stephen Pattemore examines passages within Revelation 4:122:21 that depict the people of God as actors in the apocalyptic drama and infers what impact these passages would have had on the self-understanding and behaviour of the original audience of the work. He uses Relevance Theory, a development in the linguistic field of pragmatics, to help understand the text against the background of allusion to other texts. Three important images are traced. The picture of the souls under the altar (6:911) is found to govern much of the direction of the text with its call to faithful witness and willingness for martyrdom. Even the militant image of a messianic army (7:18, 14:15) urges the audience in precisely the same direction. Both images combine in the final image of the bride, the culmination of challenge and hope traced briefly in the New Jerusalem visions. This book examines how the original audience of the Apocalypse would have heard themselves portrayed in the visions of chapters 422, and in what directions it would have motivated them. Stephen Pattemore uses linguistic analysis to help understand Revelation in the context of other biblical and non-biblical texts. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780521078962
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