Explores fundamental questions about how music examples were read in Renaissance theory books.
"synopsis" may belong to another edition of this title.
Cristle Collins Judd is Assistant Professor of Music Theory at the University of Pennsylvania and editor of Tonal Structures in Early Music (1998).
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR014961117
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 4199299-n
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Reading Renaissance Music Theory: Hearing with the Eyes. Book. Seller Inventory # BBS-9780521028196
Seller: Chiron Media, Wallingford, United Kingdom
PF. Condition: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Seller Inventory # 6666-IUK-9780521028196
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Condition: As New. Unread book in perfect condition. Seller Inventory # 4199299
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. This book examines a central group of music theory treatises that have formed the background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. Numerous broader issues are addressed in the process: the relationship of theory and praxis; access to, and use of, printed musical sources; stated and unstated agendas of theorists; orality and literacy as it was represented via music print culture; the evaluation of anonymous repertories; and the analysis of repertories delineated by boundaries other than the usual ones of composer and genre. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice. Seller Inventory # LU-9780521028196
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Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9780521028196
Seller: Vortex Books, Teddington, MIDDX, United Kingdom
Soft cover. Condition: Good. 1st Edition. Stamped 'damaged' but the only sign of damage is a bend (though not a crease) to the front cover. Unmarked. No wear. 339 pages. Seller Inventory # 8690
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Explores fundamental questions about how music examples were read in Renaissance theory books. Series Editor(s): Bent, Ian. Series: Cambridge Studies in Music Theory & Analysis. Num Pages: 364 pages, 87 b/w illus. 23 tables 22 music examples. BIC Classification: AVA; AVGC2. Category: (P) Professional & Vocational. Dimension: 240 x 172 x 19. Weight in Grams: 614. . 2008. Illustrated. paperback. . . . . Seller Inventory # V9780521028196
Quantity: Over 20 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 4199299-n
Quantity: Over 20 available