These essays examine the way in which German music was performed, staged, programmed, and received in the 1920s.
"synopsis" may belong to another edition of this title.
"This interesting and informative collection of essays on music in Germany between the world wars is both readable and scholarly....This informative collection of essays is strongly recommended to anyone interested in German culture, music, or theater during this exciting intellectual period." W. Ross, Choice
"[The book is] alive to the extraordinary contradictions and inconsistencies which ran through the Western world's most intensely developed musical culture as it weathered the upheavals of Weimar radicalism and Nazi manipulation....[It] is an exceptionally interesting collection of essays which open out into discussions of major aesthetic questions, of the political and economic pressures bearing on music and theatre, of the works produced and, to a lesser extent, issues of their dissemination and reception." Patrick Carnegy, Times Literary Supplement
These essays examine the way in which German music was performed, staged, programmed, and received in the 1920s, offering insight into Weimar culture itself and shedding light on our contemporary musical world.
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Seller: Chiron Media, Wallingford, United Kingdom
PF. Condition: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Seller Inventory # 6666-IUK-9780521022569
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. These essays examine the way in which German music was performed, staged, programmed, and received in the 1920s. Editor(s): Gilliam, Bryan Randolph. Series: Cambridge Studies in Performance Practice. Num Pages: 236 pages, 30 music examples. BIC Classification: 1DFG; 3JJG; AV; HBTB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 244 x 170 x 13. Weight in Grams: 386. . 2008. paperback. . . . . Seller Inventory # V9780521022569
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Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Seller Inventory # C9780521022569
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Seller: Books Puddle, Woodside, NY, U.S.A.
Condition: New. pp. 236. Seller Inventory # 26556210
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. These essays examine the way in which German music was performed, staged, programmed, and received in the 1920s. Editor(s): Gilliam, Bryan Randolph. Series: Cambridge Studies in Performance Practice. Num Pages: 236 pages, 30 music examples. BIC Classification: 1DFG; 3JJG; AV; HBTB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 244 x 170 x 13. Weight in Grams: 386. . 2008. paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780521022569
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Print on Demand pp. 236 67:B&W 6.69 x 9.61 in or 244 x 170 mm (Pinched Crown) Perfect Bound on White w/Gloss Lam. Seller Inventory # 8373101
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Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. PRINT ON DEMAND pp. 236. Seller Inventory # 18556216