More than any other modern artist, Pablo Picasso came to represent the idea of genius. Yet the aesthetic of genius, which governed Western thinking about art between the mid-eighteenth and mid-twentieth centuries, has also limited how we interpret Picasso’s work. In Radical Picasso, C. F. B. Miller dispenses with the privatized clichés that have dominated the reception of modernism’s most celebrated oeuvre. Instead, Picasso’s practice emerges as an assemblage whose density and agitation, negativity and excess, cannot be contained by hero worship (or its inverse). The artworks in question are radical not least because they strike at the visual root of theory, the perceptual root of the aesthetic. Ranging across histories of art, literature, philosophy, and science, Miller critiques the Picasso myth, rethinks cubism and surrealism, and in the process transforms our understanding of European modernism.
"synopsis" may belong to another edition of this title.
C. F. B. Miller is Lecturer in Art History and Theory at the University of Manchester.
"A book of enormous ambition, C. F. B. Miller's Radical Picasso questions the most fundamental assumptions about the achievement of Pablo Picasso. This is absolutely a book to be contended with by anyone approaching this body of artistic production."--Charles Palermo, author of Modernism and Authority: Picasso and His Milieu around 1900
"In Miller's Radical Picasso, 'Picasso' names not a person but a heterogenous body of work--one crucial to the history of modernist art yet also constituting an immanent critique of it. Through a form of close writing cannily matched to the complexities of the work, this book recalls us from the domesticated 'Picasso' to which we have become accustomed to the more radical, disruptive, and disorienting aspects lurking within."--Lisa Florman, Professor of History of Art, Ohio State University"About this title" may belong to another edition of this title.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WF-9780520290143
Quantity: 15 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 42718046-n
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. While the personality cult of Pablo Picasso still holds sway over his popular reputation, the force of his work has fallen into disuse. In this groundbreaking and ambitious study, C. F. B. Miller uses that force to undo and remake our understanding of the twentieth century's most legendary artist. By critiquing this legend and showing how, even now, the art itself disrupts received ideas, Radical Picasso rethinks Picasso's function in the history of modernism. Presenting a fresh account of cubism as an art of negativity and excess, Miller juxtaposes early cubist painting with G. W. F. Hegel, high cubism with Plato and his critics, and "synthetic" cubism with Walter Benjamin. The "guitar" assemblages of 1926 radicalize collage, taking up the racialized and gendered remainders of modernist aesthetics. Next to surrealism, Picasso's sexuality becomes a biopolitical problem, while the Crucifixion of 1930, and the Picasso myth at large, intersect with the writings of Georges Bataille. At the same time we see how, from his arrival in the art market to the games he played with his self-image in the 1950s, Picasso exploited the very fictions of genius that today determine his posthumous brand. Ultimately, in deconstructing the institution we call "Picasso," Radical Picasso retrieves his art from misrepresentation and argues for its continuing use value as a means of thought. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780520290143
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 42718046
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2022. Hardcover. . . . . . Seller Inventory # V9780520290143
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. More than any other modern artist, Pablo Picasso came to represent the idea of genius. Yet the aesthetic of genius, which governed Western thinking about art between the mid-eighteenth and mid-twentieth centuries, has also limited how we interpret Picasso's work. In Radical Picasso, C. F. B. Miller dispenses with the privatized clichés that have dominated the reception of modernism's most celebrated oeuvre. Instead, Picasso's practice emerges as an assemblage whose density and agitation, negativity and excess, cannot be contained by hero worship (or its inverse). The artworks in question are radical not least because they strike at the visual root of theory, the perceptual root of the aesthetic. Ranging across histories of art, literature, philosophy, and science, Miller critiques the Picasso myth, rethinks cubism and surrealism, and in the process transforms our understanding of European modernism. Seller Inventory # LU-9780520290143
Quantity: 8 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 42718046-n
Quantity: 18 available
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Seller Inventory # IH2KZ6XXJN
Seller: Rarewaves USA, HEBRON, KY, U.S.A.
Hardback. Condition: New. More than any other modern artist, Pablo Picasso came to represent the idea of genius. Yet the aesthetic of genius, which governed Western thinking about art between the mid-eighteenth and mid-twentieth centuries, has also limited how we interpret Picasso's work. In Radical Picasso, C. F. B. Miller dispenses with the privatized clichés that have dominated the reception of modernism's most celebrated oeuvre. Instead, Picasso's practice emerges as an assemblage whose density and agitation, negativity and excess, cannot be contained by hero worship (or its inverse). The artworks in question are radical not least because they strike at the visual root of theory, the perceptual root of the aesthetic. Ranging across histories of art, literature, philosophy, and science, Miller critiques the Picasso myth, rethinks cubism and surrealism, and in the process transforms our understanding of European modernism. Seller Inventory # LU-9780520290143
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition. Seller Inventory # 42718046
Quantity: 18 available