"synopsis" may belong to another edition of this title.
Srikanth Reddy's poems have appeared in various journals, including APR, Grand Street, Fence, and Ploughshares, and his critical writing has been featured in publications such as The New Republic, The Chicago Tribune, and American Literature. He has held fellowships from the Mellon Foundation, the Whiting Foundation (in the Humanities) and the Wisconsin Institute for Creative Writing. A graduate of the Iowa Writer's Workshop and doctoral candidate at Harvard University, Reddy is currently the William Vaughan Moody Writer-in-Residence at the University of Chicago.
"In this altogether brilliant collection, the various but carefully sequenced (and deeply consequential) poems unfold in a world undergoing eclipse. It is a transient, unsettling, and fascinating phenomenon, the casting of shadows by shadows (of experience, literature, language, the natural sun) traveling across the totality of the known world: here. The process does not produce negation. It is, on the contrary, an odd plus. And the darkness is never complete; it is surprised into perceptibility by sources of counter-illumination, among them wit, intelligence, and, above all (as underlying all), love."--Lyn Hejinian
"Reddy's book is new, utterly confident, clear, true to itself. It is about any world in which any one of us in love can learn something about what has happened to us--a world utterly and deeply known: ecstatic and forlorn. This is also a confident guide to our best life and to the language of that unknown place in which we bring to mind for the first time what we think and feel. At the end, Reddy's book leaves us with a deeper understanding of the wisdom of all good guides and poets: 'Where one goes, one goes alone.'"--Allen Grossman, Mellon Professor in the Humanities, Johns Hopkins University and author of Sweet Youth
"The present is a word for only those words which I am now saying" writes Reddy in this profoundly moving first collection. And, indeed, a search for the nature of the 'present' continuously animates this stunning, anguished yet level-headed attempt to reconstruct a history of our kind as if from some as-yet unknown vantage point. Striving for a complex objectivity, the book explodes prior notions of orientation--geographic, historical, cultural--and recovers from the debris a profoundly trustworthy reorientation, political as well as emotional. Reddy speaks to us fully self-conscious and, strangely, fully innocent. It is a mesmerizing voice."--Jorie Graham
"In this altogether brilliant collection, the various but carefully sequenced (and deeply consequential) poems unfold in a world undergoing eclipse. It is a transient, unsettling, and fascinating phenomenon, the casting of shadows by shadows (of experience, literature, language, the natural sun) traveling across the totality of the known world: here. The process does not produce negation. It is, on the contrary, an odd plus. And the darkness is never complete; it is surprised into perceptibility by sources of counter-illumination, among them wit, intelligence, and, above all (as underlying all), love."--Lyn Hejinian
"Reddy's book is new, utterly confident, clear, true to itself. It is about any world in which any one of us in love can learn something about what has happened to us--a world utterly and deeply known: ecstatic and forlorn. This is also a confident guide to our best life and to the language of that unknown place in which we bring to mind for the first time what we think and feel. At the end, Reddy's book leaves us with a deeper understanding of the wisdom of all good guides and poets: 'Where one goes, one goes alone.'"--Allen Grossman, Mellon Professor in the Humanities, Johns Hopkins University and author of Sweet Youth
"The present is a word for only those words which I am now saying" writes Reddy in this profoundly moving first collection. And, indeed, a search for the nature of the 'present' continuously animates this stunning, anguished yet level-headed attempt to reconstruct a history of our kind as if from some as-yet unknown vantage point. Striving for a complex objectivity, the book explodes prior notions of orientation--geographic, historical, cultural--and recovers from the debris a profoundly trustworthy reorientation, political as well as emotional. Reddy speaks to us fully self-conscious and, strangely, fully innocent. It is a mesmerizing voice."--Jorie Graham
"About this title" may belong to another edition of this title.
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 0520240448-8-1
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0520240448I5N00
Seller: HPB-Diamond, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_455297169
Seller: The Haunted Bookshop, LLC, Iowa City, IA, U.S.A.
Paperback. Condition: Near Fine. Third Printing. Crisp, bright, clean; no owners' marks; soft cover shows only very light edge wear, otherwise as new. 62pp. Seller Inventory # 00090764
Seller: ebooks Keystone, Reading, PA, U.S.A.
Condition: good. This book is in good condition, with minimal signs of wear and tear. Seller Inventory # GWKV.0520240448.G
Seller: zenosbooks, San Francisco, CA, U.S.A.
paperback. Condition: Very Good in Wrappers. No Jacket. First Edition. Berkeley. 2004. University of California Press. 1st American Edition. Very Good in Wrappers. 0520240448. New California Poetry, 12. Awards - Asian American Literary Award, Asian American Writer's Workshop. 62 pages. paperback. keywords: American Literature Poetry. DESCRIPTION - Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as 'Monsoon Eclogue' and 'Thieves' Market.' Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as 'Fundamentals of Esperanto.' Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other 'formless' modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry. inventory #36430. Seller Inventory # z36430
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 2008694
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 2008694-n
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L0-9780520240445
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Facts for Visitors: Poems Volume 12. Book. Seller Inventory # BBS-9780520240445