From a shared fascination with photography’s past, including early photographic techniques, to creating works which give form to the literal passage of time and the fleeting evidence of cultural change, many artists are creating works that evocatively engage with how the past has been shaped by photography. Organized thematically, this volume explores the work of twenty-six contemporary artists who investigate the complex and resonant relationship of photography to time, memory and history. While many photographs seem to depict a singular moment in time, each image contains multiple layers, including the instant of exposure, the moment of viewing, and the lapse in between.
Table of Contents
Director’s Foreword | Earl A. Powell • The Memory of Time: Introduction | Sarah Greenough • Plates: Traces of History; Time Exposed; Memory and the Archive; Framing Time and Place; Contemporary Ruins • Checklist of the Exhibition, acknowledgments, selected bibliography
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Sarah Greenough is the chief curator and head of the department of photographs at the National Gallery of Art, Washington. Andrea Nelson is assistant curator in the Department of Photography, National Gallery of Art, Washington.
From a shared fascination with photographys past, including early photographic techniques, to creating works which give form to the literal passage of time and the fleeting evidence of cultural change, many artists are creating works that evocatively engage with how the past has been shaped by photography. Organized thematically, this volume explores the work of twenty-six contemporary artists who investigate the complex and resonant relationship of photography to time, memory and history. While many photographs seem to depict a singular moment in time, each image contains multiple layers, including the instant of exposure, the moment of viewing, and the lapse in between.
"About this title" may belong to another edition of this title.
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