South Africa has an established, vibrant and highly politicized contemporary art scene that is often in dialogue with the deep and recent past.
South African Art explores this relationship between past and present, showing contemporary and historic art objects from the earliest human artistic tendencies three million years ago to 20th-century apartheid Resistance Art and the art of post-apartheid transformation. South African Art begins with the first artistic stirrings of our earliest ancestors and the first African kingdoms through to the creation of 3D figurative art and specialised artisans. It then considers the influence of Dutch, British, Malay, Chinese and Indian settlers from the 16th century onwards and the ensuing conflicts, followed by a focus on the British colonial period and the European obsession with the exotic and the objectification of African bodies. A chapter on segregation after the Union of South Africa in 1910 and Resistance Art during the apartheid era of c.1970 to 1989 is followed by a final section looking at South Africa’s transformation from an apartheid state to the ‘Rainbow Nation’, and the country’s current artistic optimism.
"synopsis" may belong to another edition of this title.
John Giblin is Head of the African collection at the British Museum.
Chris Spring is curator of the contemporary African art and the eastern and southern African collection at the British Museum.
South Africa has an established, vibrant and highly politicized contemporary art scene that is often in dialogue with the deep and recent past.
South African Art explores this relationship between past and present, showing contemporary and historic art objects from the earliest human artistic tendencies three million years ago to 20th-century apartheid Resistance Art and the art of post-apartheid transformation. South African Art begins with the first artistic stirrings of our earliest ancestors and the first African kingdoms through to the creation of 3D figurative art and specialised artisans. It then considers the influence of Dutch, British, Malay, Chinese and Indian settlers from the 16th century onwards and the ensuing conflicts, followed by a focus on the British colonial period and the European obsession with the exotic and the objectification of African bodies. A chapter on segregation after the Union of South Africa in 1910 and Resistance Art during the apartheid era of c.1970 to 1989 is followed by a final section looking at South Africa’s transformation from an apartheid state to the ‘Rainbow Nation’, and the country’s current artistic optimism.
"About this title" may belong to another edition of this title.
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4to; original lime green boards, lettered in black on spine, with publisher's device in blind to upper cover; laminated pictorial dustwrapper; pp. 255, incl. index; lavishly illustrated in full colour. Tape remnants to reverse of very slightly rubbed dustwrapper. Very good condition. "Taking as its point of departure the earliest known artistic tradition in southern Africa 100,000 years ago, South Africa: the art of a nation explores the history of South Africa through a selection of its artworks, paying particular attention not only to their relationship to one another, but also to their connections with key episodes in the nation's evolution. By setting up a dialogue between past and present, between art objects old and new, the book offers a refreshingly novel way of looking at the history of South Africa, a story that begins many millenia before the creation of the modern nation. . Published to accompany a major exhibition at the British Museum, this book offers new and often moving insights into one of the most vibrant nations whose fascinating story, process of self-discovery and periods of reinvention have all been reflected in its art.". Seller Inventory # 12828
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