Examines the impact of Futurism and Cubism on British modernist printmaking from the beginning of World War I to the beginning of World War II
British Prints from the Machine Age is a profusely illustrated examination of the impact of avant-garde Continental influences on British printmaking in the years stretching from the First World War to the outbreak of the Second.
It features more than 100 lithographs, etchings, woodcuts and linocuts, ranging from radical geometric abstractions to forceful impressions of the first fully mechanized war and colourful Jazz Age images of sports, speed trials, and other contemporary diversions.
Clifford S. Ackley’s introduction takes stock of the art historical movement and is followed by lively, thematic discussions of the prints, an overview of the history and technique of the modern linocut, and short biographies of the artists. The images produced by these innovative printmakers powerfully embody the era's preoccupations with speed, machines, urbanism and other exciting new facets of modern life.
Table of Contents
Director’s Foreword • Preface by Stephen Coppel, British Museum Introduction by Clifford Ackley • 1. World War I • 2. Vorticism and Abstraction • 3. Urban Life/Urban Dynamism • 4. Speed and Movement 5. Sports • 6. Industry and Labour • 7. Entertainment, Music, Leisure • 8. Natural Forces • Appendix: Illustrated essay on technical aspects of linocut technique, by Stephanie Lussier and Rachel Mustalish
"synopsis" may belong to another edition of this title.
Clifford Ackley is Senior Curator at the Museum of Fine Arts, Boston.
"About this title" may belong to another edition of this title.
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Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. British Prints from the Machine Age is a profusely illustrated examination of the impact of avant-garde Continental influences on British printmaking in the years stretching from the First World War to the outbreak of the Second.It features more than 100 lithographs, etchings, woodcuts and linocuts, ranging from radical geometric abstractions to forceful impressions of the first fully mechanized war and colourful Jazz Age images of sports, speed trials, and other contemporary diversions.Clifford S. Ackley's introduction takes stock of the art historical movement and is followed by lively, thematic discussions of the prints, an overview of the history and technique of the modern linocut, and short biographies of the artists. The images produced by these innovative printmakers powerfully embody the era's preoccupations with speed, machines, urbanism and other exciting new facets of modern life. Accompanying the exhibition at the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, this catalogue examines the impact of Futurism and Cubism on British modernist printmaking from the beginning of World War I to the beginning of World War II. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780500288375
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Published to accompany the exhibition at the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, this catalogue examines the impact of Futurism and Cubism on British modernist printmaking from the beginning of World War I to the beginning of World War II. Imagery ranges from powerful artistic impressions of the first fully mechanized war, to radical geometric abstractions, to the colourful, streamlined jazz age images of speed, sport and diversion which the Grosvenor School artists created in order to introduce a broader public to modern art and design. Interest in this era is peaking among collectors, curators and art historians and this is an ideal moment to introduce these innovative British printmakers to a wider public. Seller Inventory # LU-9780500288375
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2009. 01st Edition. Paperback. Accompanying the exhibition at the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, this catalogue examines the impact of Futurism and Cubism on British modernist printmaking from the beginning of World War I to the beginning of World War II. Num Pages: 224 pages, 163 illustrations, 159 in colour. BIC Classification: 1DBK; ACX; AFH. Category: (G) General (US: Trade). Dimension: 241 x 217 x 24. Weight in Grams: 1008. . . . . . Seller Inventory # V9780500288375
Seller: Clarendon Books P.B.F.A., Leicester, United Kingdom
Paperback. Condition: Good. Card covers in tidy condition, spine slightly sunned and creased Size: 4to - over 9¾" - 12" tall. Seller Inventory # 081726
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