Is it a woodcut, an etching, or a lithograph? Is it an original stipple engraving or a photogravure reproduction? Is the colour printed or added by hand? Arranged in self-contained sections that can be consulted individually or as part of a larger research operation, the book simplifies accurate identification of any printed image.Included are manual methods, and also the mechanical processes that constitute the vast majority of printed images around us. In all some ninety different techniques are described, both monochrome and colour.
Essential aspects of printing history and the printmaking craft receive full coverage, and examples are given of the identifying features that help to reveal the type of print, such as varities of line and tone. Of particular interest are the many illustrations of enlarged details showing the different appearance of various techniques under strong magnification.
The one great change during the last twenty years has been the high-quality inkjet and laser prints that are now part of everyday life. How can one tell whether an attractive image is valuable in its own right or merely a reproduction? As cheap printing processes become more sophisticated, it inevitably becomes harder to identify correctly an image of this kind. Bamber Gascoigne’s new observations in this area, added for this revised edition, will prove invaluable.
"synopsis" may belong to another edition of this title.
Bamber Gascoigne is a British writer and television presenter, well known for being the original host on University Challenge.
'This is such a fundamentally important book that no one interested in prints should be without it' Printmaking Today
Is it a woodcut, an etching, or a lithograph? Is it an original stipple engraving or a photogravure reproduction? Is the colour printed or added by hand? Arranged in self-contained sections that can be consulted individually or as part of a larger research operation, the book simplifies accurate identification of any printed image.Included are manual methods, and also the mechanical processes that constitute the vast majority of printed images around us. In all some ninety different techniques are described, both monochrome and colour.
"About this title" may belong to another edition of this title.
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paperback. Condition: Good. Ex-library with usual markings (date due slip, stickers, stamps, etc.). Light edge wear to covers. Binding has been reinforced and in good, sturdy condition. Pages in good reading shape. Our feedback says it all! Feel confident when you order from Hilltop Book Shop. Seller Inventory # 2509030007
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condition: VG. Quarto. Softcover. Illustrated wraps. 1 volume (various pagings) : illustrations (some color) ; 25 cm. Since its first publication in 1986, this comprehensive guide has established itself as the essential reference book for print and book collectors, dealers in prints and illustrated books, art librarians, art professors and students, and everyone interested in graphic art. Is a particular print a woodcut, an etching, or a lithograph? Is it an original stipple engraving or a photogravure reproduction? Is the color printed or added by hand? Arranged in self-contained sections that can be consulted individually or as part of a larger research operation, this book helps identify accurately any printed image. Included are all the manual methods and also the mechanical processes that constitute the vast majority of printed images around us. In all, some ninety different techniques are described, both monochrome and color. Essential aspects of printing history and the printmaking craft receive full coverage, and examples are given of the features that reveal the type of print, such as varieties of line and tone. Of particular interest are the many illustrations of enlarged details showing the different appearance of various techniques under strong magnification. The one great change during the past twenty years has been the high-quality inkjet and laser prints that are now part of everyday life. How can one tell whether an attractive image is valuable in its own right or merely an appealing reproduction? As cheap printing becomes more sophisticated, it inevitably becomes harder to identify correctly an image of this kind. Bamber Gascoigne's new observations in this area, added for this revised edition, will prove invaluable. Seller Inventory # 210689
Seller: Pistil Books Online, IOBA, Seattle, WA, U.S.A.
Trade Paperback. Condition: Very Good. A clean, unmarked book with a tight binding. Light wear to cover. 8 5/8"w x 9 3/4"h. 208 pages. With 272 illustrations, 40 in color. Keywords: Printmaking, Graphic Images, Woodcut, Etching, Lithograph, Photogravure, Identification, Printed Image, Manual methods, Mechanical Processes, Printing History. Seller Inventory # 158819
Seller: Southampton Books, Sag Harbor, NY, U.S.A.
Trade Paperback. Condition: Like New. First Thus. First Edition Thus, First Printing. Not price-clipped ($34.95 price intact). Published by Thames & Hudson, 2004. Quarto. Paperback. Book is like new. A lovely copy of this comprehensive guide to identifying prints and graphic art. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. Seller Inventory # 203672