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Impressionism: Origins, Practice, Reception (World of Art) - Softcover

Thomson, Belinda

 
9780500203354: Impressionism: Origins, Practice, Reception (World of Art)

Synopsis

A highly accessible and fresh account which brings together the very latest research on this most popular of all art movements

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About the Author

Belinda Thomson is an independent art historian specializing in 19th and early 20th-century French art. She has published widely on Impressionist and Post-Impressionist topics. In 2011 she was awarded an honorary professorship in history of art at the University of Edinburgh and in 2013 the distinction of Chevalier dans l’Ordre des arts et des lettres.

From the Back Cover

'Full of new insights and informed by recent developments in the social history of art, it is also, to its credit, written in an eloquent and eminently readable style.' - Linda Nochlin

The enormous popularity of Impressionist painting today belies what the group of painters dubbed Impressionists stood for. During the 1870s and 1880s, a loose group of French artists, including Pisarro, Monet and Renoir, adopted a style of painting and subject matter that challenged the canonical art promoted by the French Academy and the Salons. The revolutionary nature of Impressionism emerged from anarchism and political radicalism, from a belief in science and individualism, creating a view of art true to modern life and to immediate visual perception.

In the light of recently discovered documents - critical reviews and letters between artists, writers and dealers - Belinda Thomson illuminates the thinking and personal lives of the artists themselves, examining the factors and experiences that allowed Impressionism to develop when it did. She investigates the family background of the Impressionists, the importance of the art market and collecting, and the influence of the critical reception to their exhibitions. Her highly accessible and thoughtful account brings together the very latest research on this fascinating and complex development in art.

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