Synopsis
This landmark collection of over 200 complete musical compositions and movements, ranging from the Middle Ages to the present, offers first- and second-year music theory classes a wealth of illustrations of chords, voice-leading techniques, and forms, plus some material for figured-bass realization and score reading. In addition, this book provides ample material for both a full-year course in the analysis of musical forms and a one-semester course in twentieth-century techniques. Because the book takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.
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About the Author
Charles Burkhart is an internationally recognized scholar in Schenkerian analysis, a pianist, and the author of ANTHOLOGY FOR MUSICAL ANALYSIS. He is also co-author of A NEW APPROACH TO KEYBOARD HARMONY and author of articles and reviews in The Music Review, Perspectives of New Music, Journal of Music Theory, and The Music Forum. William Rothstein first joined Charles Burkhart as co-author of ANTHOLOGY FOR MUSICAL ANALYSIS in its Postmodern Update, Sixth Edition. Dr. Rothstein is a professor of theory/analysis at Queens College and the Graduate Center. In addition to his book, PHRASE RHYTHM IN TONAL MUSIC, which received an ASCAP-Deems Taylor Award and the Society for Music Theory's Young Scholar Award, Dr. Rothstein has published numerous articles.
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Anthology for Musical Analysis
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Anthology for Musical Analysis
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