First trained as a violinist, then as a composer, André Hodeir began writing about jazz in the 1940s. As editor-in-chief of the French magazine Jazz Hot, he was an early proponent of bebop and its practitioners, Charlie Parker and Dizzy Gillespie. Downbeat called Hodeir's first compilation of jazz writings, Jazz: Its Evolution and Essence, "the best analytical book on jazz ever written," and Martin Williams named it and Hodeir's second book, Toward Jazz, "two of the most important critical works ever written on the subject." While Hodeir's ideas sparked widespread debate, his study of jazz improvisation and his use of music theory shed new light on the intricacies of jazz composition and arrangement and helped launch a new era of jazz criticism. This new volume, which collects pieces from Hodeir's three books of jazz writings-and one new essay never before published in English-will introduce Hodeir to a new generation of jazz enthusiasts and scholars alike, and prove his work to be as relevant today as when he wrote it. Jean-Louis Pautrot's introduction to the book, and his preface to each piece, helps put Hodeir's work in its proper context. André Hodeir, born in Paris in 1921, is a musical composer, critic, and novelist. He is best known for his studies of jazz, which influenced jazz criticism on both sides of the Atlantic and around the world. A native of France, Jean-Louis J. Pautrot teaches contemporary French literature, film, and culture at Saint Louis University, where he also directs the film studies program. He is the author of La Musique Oubliée, a psychoanalytical approach to music in the novels of Sartre, Vian, Proust, and Duras.
"synopsis" may belong to another edition of this title.
André Hodeir, born in Paris in 1921, is a musical composer, critic, and novelist. He is best known for his studies of jazz, which influenced jazz criticism on both sides of the Atlantic and around the world.
A native of France, Jean-Louis J. Pautrot teaches contemporary French literature, film, and culture at Saint Louis University, where he also directs the film studies program. He is the author of La Musique Oubliée, a psychoanalytical approach to music in the novels of Sartre, Vian, Proust, and Duras.
"About this title" may belong to another edition of this title.
Seller: Katsumi-san Co., Cambridge, MA, U.S.A.
Trade Paperback. Condition: Very Good. First Printing. 313 p. [otob: 56]. Seller Inventory # 900088
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780472068838
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Collects pieces from Andre Hodeir's three books of jazz writings. This book introduces Hodeir to a different generation of jazz enthusiasts and scholars alike. Editor(s): Pautrot, Jean-Louis J. Num Pages: 320 pages, 27 musical examples. BIC Classification: AVGJ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 24. Weight in Grams: 476. . 2006. 1st Edition. paperback. . . . . Seller Inventory # V9780472068838
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. Collects pieces from Andre Hodeir's three books of jazz writings. This book introduces Hodeir to a different generation of jazz enthusiasts and scholars alike. Editor(s): Pautrot, Jean-Louis J. Num Pages: 320 pages, 27 musical examples. BIC Classification: AVGJ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 24. Weight in Grams: 476. . 2006. 1st Edition. paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780472068838