In 1916, as World War I raged around them, a group of bohemians gathered at a small cabaret in Zurich, Switzerland. After decorating the walls with art by Picasso and other avant-garde artists, they embarked on a series of extravagant performances. Three readers simultaneously recited a poem in three languages a monocle-wearing teenager performed a spell from New Zealand another young man sneered at the audience, snapping a whip as he intoned his Fantastic Prayers." One of the artists called these sessions both buffoonery and a requiem mass." Soon they would have a more evocative name: Dada.In Destruction Was My Beatrice , modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artists like Marcel Duchamp and Man Ray to Berlin, where it inspired painters George Grosz and Hannah Höch and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists like André Breton, Louis Aragon, and Paul Éluard. The long tail of Dadaism, Rasula shows, can be traced even further, to artists as diverse as William S. Burroughs, Robert Rauschenberg, Marshall McLuhan, the Beatles, Monty Python, David Byrne, and Jean-Michel Basquiat, all of whom,along with untold others,owe a debt to the bizarre wartime escapades of the Dada vanguard.A globe-spanning narrative that resurrects some of the 20th century's most influential artistic figures, Destruction Was My Beatrice describes how Dada burst upon the world in the midst of total war,and how the effects of this explosion are still reverberating today.
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Jed Rasula is the Helen S. Lanier Distinguished Professor of English at the University of Georgia. The author of several scholarly works on literature and modernism, as well as two books of poetry, he lives in Athens, Georgia.
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Seller: Zoom Books Company, Lynden, WA, U.S.A.
Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Seller Inventory # ZBV.0465089968.VG
Seller: Bookensteins, Las Vegas, NV, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Dust jacket is bumped at the front top right corner, the top of the spine and along the back top edge. Book pages are clean with no marks. Bookseller Inventory BS/BS 13949 12/2022. Seller Inventory # 013948
Seller: Hamelyn, Madrid, M, Spain
Condition: Muy bueno. : El erudito modernista Jed Rasula presenta la primera historia narrativa del surgimiento, declive y legado de Dadá, mostrando cómo este extraño fenómeno artístico se extendió por Europa y luego por el mundo tras la Gran Guerra, remodelando fundamentalmente la cultura moderna de maneras que todavía estamos luchando por entender hoy en día. EAN: 9780465089963 Tipo: Libros Categoría: Arte y Cultura Título: Destruction Was My Beatrice Autor: Jed Rasula Idioma: en Páginas: 365. Seller Inventory # Happ-2025-12-04-a33d225f
Seller: Works on Paper, DeKalb, IL, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. A very good copy of the first hard cover editio, first printing (full number line)n in a very good (not price-clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. A sharp copy. Seller Inventory # 022625
Seller: Studio Books, Corvallis, OR, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition. 365 pages, notes, index. Text illustrations. A lively, erudite and comprehensive account of DADA. Near fine copy in a near fine dust jacket in a mylar protector. Seller Inventory # 091017
Seller: Remarks Used Books, Pittsfield, MA, U.S.A.
Soft cover. Condition: Fine. No Jacket. Special Edition. Advance Reader's Copy of Uncorrected Proof in paperback. Bright, clean & tight copy, unread in FINE condition. "In 1916, as World War I raged around them, a group of bohemians gathered at a small nightclub in Zurich, Switzerland, for a series of bizarre performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another man flung bits of papier-mache into the air and glued them into place where they landed. One of the artists called these sessions 'both buffoonery and a requiem mass.' Soon they would have a more evocative name: Dada. In DESTRUCTION WAS MY BEATRICE, modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we're still struggling to understand today." Pristine paperback ARC w/sharp corners & crisp edges, a square & tight binding w/no creases in spine, no jacket as issued & that cool cover photo of Hugo Ball reciting his poems at the Cabaret Voltaire, Zurich 1916. Quite presentable, 'gadji beri bimba,' & collectible. Seller Inventory # RUB968
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Hardback. Condition: New. In 1916, as World War I raged around them, a group of bohemians gathered at a small cabaret in Zurich, Switzerland. After decorating the walls with art by Picasso and other avant-garde artists, they embarked on a series of extravagant performances. Three readers simultaneously recited a poem in three languages a monocle-wearing teenager performed a spell from New Zealand another young man sneered at the audience, snapping a whip as he intoned his Fantastic Prayers." One of the artists called these sessions both buffoonery and a requiem mass." Soon they would have a more evocative name: Dada.In Destruction Was My Beatrice , modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artists like Marcel Duchamp and Man Ray to Berlin, where it inspired painters George Grosz and Hannah Höch and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists like André Breton, Louis Aragon, and Paul Éluard. The long tail of Dadaism, Rasula shows, can be traced even further, to artists as diverse as William S. Burroughs, Robert Rauschenberg, Marshall McLuhan, the Beatles, Monty Python, David Byrne, and Jean-Michel Basquiat, all of whom,along with untold others,owe a debt to the bizarre wartime escapades of the Dada vanguard.A globe-spanning narrative that resurrects some of the 20th century's most influential artistic figures, Destruction Was My Beatrice describes how Dada burst upon the world in the midst of total war,and how the effects of this explosion are still reverberating today. Seller Inventory # LU-9780465089963
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Seller: Brit Books, Milton Keynes, United Kingdom
Hardcover. Condition: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality. Seller Inventory # 4213949
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