After forty years of subsidy and billions of dollars spent, American arts institutions are no more secure financially than before. Behind the headlines about controversial grants to the arts abides a realm of conservatism, bureaucracy, and jostling special interests, Alice Goldfarb Marquis maintains. With well-established, mainstream institutions capturing the bulk of government subsidies, artistic repertoires are reaching ever further into the past while truly innovative artists languish on the sidelines.
Art Lessons is a fresh look at how Americans fund the arts - and why - by a major cultural historian. Packed with anecdotes about the creation of such leading cultural institutions as Lincoln Center, the National Endowment of the Arts, and the American Film Institute, and filled with stories about politicians, artists, philanthropists, and NEA chairs, the book offers a behind-the-scenes look at our cultural elite: the early battles over whether to allow affluent Jews to be part of the fund-raising establishment ... the controversies over the influence of popular artists such as Leonard Bernstein ("Nobody liked him except the public," carped one critic) ... the monumental mistakes made in the building of Washington's Kennedy Center, which have necessitated repeated federal bailouts ... and much more. From John Kennedy's determination to bolster America's arts as part of his Cold War strategy against the Soviets, to Richard Nixon's support of the NEA's greatest expansion, to Ronald Reagan's abortive efforts to slash arts funding when Republican arts patrons and corporate funders objected, the book is filled with surprises.
"synopsis" may belong to another edition of this title.
Alice Goldfarb Marquis is a visiting scholar in history at the University of California, San Diego.
"About this title" may belong to another edition of this title.
Seller: BooksRun, Philadelphia, PA, U.S.A.
Hardcover. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 0465004377-11-1
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. First edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 572337-6
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. First edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 5074010-6
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0465004377I4N00
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Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0465004377I5N01
Seller: Montclair Book Center, Montclair, NJ, U.S.A.
Hardcover. Condition: USED Good. Seller Inventory # 547898
Seller: Abacus Bookshop, Pittsford, NY, U.S.A.
hardcover. Condition: Fine copy in fine dust jacket. 1st. 8vo, 304 pp. Seller Inventory # 031235
Seller: Solr Books, Lincolnwood, IL, U.S.A.
Condition: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear. Seller Inventory # BCV.0465004377.VG
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. x, 304 pages; 24 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "After forty years of subsidy and billions of dollars spent, American arts institutions are no more secure financially than before. Behind the headlines about controversial grants to the arts abides a realm of conservatism, bureaucracy, and jostling special interests, Alice Goldfarb Marquis maintains. With well-established, mainstream institutions capturing the bulk of government subsidies, artistic repertoires are reaching ever further into the past while truly innovative artists languish on the sidelines. Art Lessons is a fresh look at how Americans fund the arts - and why - by a major cultural historian. Packed with anecdotes about the creation of such leading cultural institutions as Lincoln Center, the National Endowment of the Arts, and the American Film Institute, and filled with stories about politicians, artists, philanthropists, and NEA chairs, the book offers a behind-the-scenes look at our cultural elite: the early battles over whether to allow affluent Jews to be part of the fund-raising establishment . the controversies over the influence of popular artists such as Leonard Bernstein ("Nobody liked him except the public," carped one critic) . the monumental mistakes made in the building of Washington's Kennedy Center, which have necessitated repeated federal bailouts . . . and much more. From John Kennedy's determination to bolster America's arts as part of his Cold War strategy against the Soviets, to Richard Nixon's support of the NEA's greatest expansion, to Ronald Reagan's abortive efforts to slash arts funding when Republican arts patrons and corporate funders objected, the book is filled with surprises." - Publisher. Size: 8vo. Collectible. Seller Inventory # 021909
Seller: Casa Camino Real, Las Cruces, NM, U.S.A.
Pictorial Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Book is in very good and clean condition. In protective mylar. Size: 8vo - over 7¾" - 9¾" tall. Hard Cover. Seller Inventory # 002340