The Inferno - Softcover

DANTE

 
9780451627094: The Inferno

Synopsis

Dante Alighieri / Ciardi, John. The Inferno: A Verse Rendering for the Modern Reader. Historical Introduction by Archibald T. MacAllister. New York / Ontario / London, Mentor / New American Library / The New English Library, 1954. 11 x 18cm. 288 pages. Original softcover. Good condition with some signs of external wear and mild foxing. Annotations to text and to end leaves. [A Mentor Book]. John Ciardi, a distinguished American poet, has brilliantly rendered the Inferno into modern English, bringing it alive again with all the burning clarity and universal relevance with which the thirteenth century genius originally endowed it. The first part of Dante’s Divine Comedy is many things: a moving human drama, a supreme expression of the Middle Ages, a glorification of the ways of God, and a magnificent protest against the ways in which men have thwarted the divine plan. One of the few literary works that has enjoyed a fame both immediate and enduring, The Inferno remains powerful after seven centuries. It confronts the most universal values—good and evil, free will and predestination—while remaining intensely personal and ferociously political, for it was born out of the anguish of a man who saw human life blighted by the injustice and corruption of his times. [Mentor]

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Review

"It is Mr. Ciardi's great merit to be one of the first American translators to have...reproduced [The Inferno] successfully in English. A text with the clarity and sobriety of a first-rate prose translation which at the same time suggests in powerful and unmistakable ways the run and rhythm of the great original...A spectacular achievement."--Archibald MacLeish

"Fresh and sharp...I think [Ciardi's] version of Dante will be in many respects the best we have seen."--John Crowe Ransom

About the Author

John Ciardi was a distinguished poet and professor, having taught at Harvard and Rutgers universities, and a poetry editor of The Saturday Review. He was a Fellow of the American Academy of Arts and Sciences and the National Institute of Arts and Letters. In 1955 he won the Harriet Monroe Memorial Award, and in 1956, the Prix de Rome. He died in 1986.

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