Items related to Acting (Re)Considered: A Theoretical and Practical...
Synopsis
Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present.
The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as:
* how we think and talk about acting
* acting and emotion
* the actor's psychophysical process
* the body and training
* the actor in performance
* non-Western and cross-cultural paradigms of the body, training and acting.
Acting (Re)Considered is vital reading for all those interested in performance.
"synopsis" may belong to another edition of this title.
About the Author
Phillip B. Zarrilli is internationally known for training actors in psychophysical process through Asian martial/mediation arts, and as a director. He is the author of numerous books and essays including: When the Body Becomes All Eyes (1998); Kathakali Dance-Drama: Where Gods and Demons Come to Play (1999); a co-author of Indian Theatre: Traditions of Performance and the editor of Asian Martial Arts in Actor Training.
"About this title" may belong to another edition of this title.
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Acting (Re)Considered (Worlds of Performance)
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Acting (Re)Considered: A Theoretical and Practical Guide (Worlds of Performance)
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Taylor & Francis Ltd, United Kingdom, London, 2002
ISBN 10: 041526300X
ISBN 13: 9780415263009
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Paperback. Condition: Very Good. Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present. The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as: * how we think and talk about acting * acting and emotion * the actor's psychophysical process * the body and training * the actor in performance * non-Western and cross-cultural paradigms of the body, training and acting. Acting (Re)Considered is vital reading for all those interested in performance. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR003647209
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Acting (Re)Considered: Theories and Practices
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London & New York: Routledge, 2006
ISBN 10: 041526300X
ISBN 13: 9780415263009
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Paperback (No Dust Wrapper.). Condition: Very Good. Condition Notes: Lightly rubbed at the tips of the wrappers. Text complete, clean and tight; Paperback; Measures 9¾" x 7" (0.9 kg); pp (xx) 396; Index; Bibliography; In the Worlds of Performance series; 2nd edition, 3rd printing, [First Published: 1995] Contains: Black & white photographs; Graphs; Black & white drawings; References; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #182771 ||. Seller Inventory # 182771
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